Hiromi Lorraine Sakata, Afghanistan field recordings (Falaks) by UW Ethnomusicology Archives

Excerpts from Hiromi Lorraine Sakata, Afghanistan Collection 1972003. Excerpts include Falaks described in Table 22 of Professor Sakata's book, Music in the Mind (2002, Smithsonian Institution Scholarly Press).
Detailed metadata available here: https://tinyurl.com/uwea-falaks
Collection finding aid available here: https://archiveswest.orbiscascade.org/ark:80444/xv67474?q=1972003

Recorded on Nagra (full-track) and Uher (stereo recorder with 2 tracks running same direction - used with movie camera).

Photo: Harvesting Poppies (Lorraine Hiromi Sakata, Hazarajat, Afghanistan Fieldwork Slides, 1971-1973)
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Bio: Hiromi Lorraine Sakata is the author of Music in the Mind: The Concepts of Music and Musician in Afghanistan (Kent State University Press, 1983 and reissued by Smithsonian Institution Press, 2002) and Afghanistan Encounters with Music and Friends (Mazda Publications 2013). She is producer of Ustad Mohammad Omar: Virtuoso from Afghanistan (Smithsonian Folkways, 2002). Her other publications focus on devotional music of Pakistan, in particular, the music at Sufi shrines in Pakistan. Sakata taught in the Ethnomusicology Program at the University of Washington for twenty years before joining the UCLA faculty. She was made an Honorary Member of the Society for Ethnomusicology in 2012.
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Rights: These recordings were digitized for preservation/access purposes by the University of Washington Libraries in Seattle. Their copyright status may be protected by the U.S. Copyright Law (Title 17, U.S.C.) or state copyright statute(s). Their reproduction and use may also be restricted by terms of gift or purchase agreements, donor restrictions, ethical considerations, privacy and publicity rights, licensing and trademarks. These works are made accessible within the context of this website for purposes of noncommercial educational use. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of copyright owners. Responsibility for any use rests exclusively with the user. If you have questions, concerns, or information about this recording, please contact us at ethnoarc@uw.edu.

Contains tracks

• Sakata, Afghanistan | 72-3.13 Take 73 by UW Ethnomusicology Archives
• Sakata, Afghanistan | 72-3.13 Take 74 by UW Ethnomusicology Archives
• Sakata, Afghanistan | 72-3.14 Take 76 by UW Ethnomusicology Archives
• Sakata, Afghanistan | 72-3.14 Take 79 by UW Ethnomusicology Archives
• Sakata, Afghanistan | 72-3.15 Take 81 by UW Ethnomusicology Archives