Chagnard TERRA NOSTRA (a symphony about Climate Change) by Christophe Chagnard published on 2019-07-05T22:23:02Z Terra Nostra is a multi-media symphonic creation about climate change designed to raise awareness and inspire action. It was composed by Christophe Chagnard in 2014 and revised in 2018. This recording was made on January 28, 2019 at Bastyr University with the Seattle Music Orchestra under the direction of the composer. For the full story on this creation and its impact, visit www.terranostra.org Genre multi-media symphony Comment by Christophe Chagnard THE 2019 RECORDING OF TERRA NOSTRA WAS MADE POSSIBLE BY GENEROUS DONATIONS FROM: Anonymous Ellis Amdur Christian Amonson Neil Andersson Dean Backholm Jeff Barr Valerie Barron David Batker Lisa Bauer Laura Baumwall Sarah Bell Jessica Berger Elyas Beria Eric Berman Scope 5 and the Bernet Family Adam Block Sue Bohn Mary Jane Brain Clayton Brainerd Caitlin Breen Cheri Brennan Brad Brickman Kevin Brinck Karen Brookman Rebecca Buchanan Averil Budge Sheldon Calbero Allison Capen Tamre Cardoso Pamela Hobart Carter Mike Center Christophe Chagnard Eric Chagnard Jo Nardolillo Chagnard Sharon Chen William Chen Megan Jones Clark Magda Cockerline Barbara Cohen Loveday Conquest Kathleen Conroy Brenda Cooper Erin Cordry 2020-06-03T21:15:47Z Comment by Christophe Chagnard DONOR LIST (cont) Linda A. Cornfield Jane Crane Joan Crooks BJ Cummings Mary Curiel Tracy Dethlefs Kathy and Steve Dewalt Denise Dillenbeck Casey Dilloway George Divoky William L. Donnelly Rebecca Doyle-Walker Patrick Drum Andy Eccleshall Ron Ein Brian Emanuels Karen Siff Exkorn Joel Fan Mary Farley Zach Ferry Alison Fujino Mary Frances Fulfer Priya George, Power in Place Richard Goodfried and Mary McCauley Cynthia Gordon Evan Gordon - Wollin Nancy Gove Jennifer Grimes Kathryn Habedank Katrina Hajagos, Power in Place Jane Harvey Denis Hayes Margaret Hennessy Henryk Hiller Lisa Hirayama Juanita Holmes Dave Hoots Thomas Horsley Lynn Hubbard Ellie Humphries Saang-Yoon Hyun Christian Jacob Tim and Virginia Janof Peter Jarrell 2020-06-03T21:14:43Z Comment by Christophe Chagnard DONOR LIST (cont) Jimmy Jia Barbara Johns Amy Johnson Jean Johnson Krysia Johnson Rick Johnson Bruce Jones Debby and Barton Jones Noah Kardos-Fein Garrett Kephart Francine Kershaw Anthony Keys Adam Kolton Christina Koons Elliot Koontz Garnnet Krantz Eric Krauss Eva and Jon LaFOLLETTE Terry Latshaw Laurie Lauterbach Evelyn Lessard Arlene Levy Deborah F. Light Avery Littman Jim Loomis Caleb Lubetkin Martie Lubetkin Mike and Emma Lubetkin Miriam Lubetkin Noah Lubetkin Susan and Jeff Lubetkin Zach Lubetkin The Lucas Family Elise Lufkin Shaya Lyon Mary Manous, on behalf of Cascadia Climate Action Marc Marasco Heather Marcinowski and Lindley Swift Paul Marsh Michael Matlock Dave Matsuda Sarah Mattox Natalie Mayer 2020-06-03T21:14:11Z Comment by Christophe Chagnard DONOR LIST (cont) Deidre McCormack John McGarry Jill McNeil Kamy Merithew Jason Merrill Susan Methfessel Susan Miller Melinda Minch Miriam Moussaioff Ken Mundt Melanie Muradian Nicholas Musser Ramez Naam Brad Nelson Cody Nelson Richard Nelson Joelle Chagnard Neubold Jack Novatney Kathy O'Driscoll Kevin Owyang Isabelle Perrin Ron Peters Lesley Petty Julie Pham Emily Piro Heather Price Jennifer Priester Elta Ratliff Lorraine Read Gretchen Rice Ryan Richter Tonya Roe Janna Rolland Jon and Pat Rosen Greg Ruby Willow Russell Francie Rutherford Phyllis Sands Julian Schwarz Judson Scott Kevin See Jonathon Shakes Jane Shanaman and Doug Granum Meredith Shank 2020-06-03T21:13:46Z Comment by Christophe Chagnard DONOR LIST (cont) Craig Sheppard Paul Shoemaker Larry Siff Greg Simon Melissa Singletary Jana Skillingstead Ethan Sobotta Stephanie Solien and Frank Greer Erik Stanford E. Ashley Steel Rich Stolz Marie Stott Carmen Suazo and Jim Waldref Stephen Sumida Lea Sund Linda Swartz Ellen Swift Nelda Swiggett Jeff Thiel Mark Titus Molly Tobias Kay Treakle Heather Trim James Truher Rebecca Valentine Blandine van de Velde Jeremy Vassallo Jason Vo Kevin Vortmann Cordy Wagner Scott Warfield Joe Warren Kathy Washienko Rebecca Moore Weber Katrina Wellman Alana Marie White Bret Wilkerson Michelle Williams David Williamson Jessie and David Woolley-Wilson Daniel Wright Kerry Yanasek Janet Young 2020-06-03T21:13:16Z Comment by Christophe Chagnard WITH ADDITIONAL SUPPORT FROM: The Bullitt Foundation Seattle Symphony Ten Grands The Creative Fund 2020-06-03T21:11:26Z Comment by Susan Lubetkin @susan-lubetkin: 8. [25:00-26:45] This section is based on a palindrome of the opening Big Bang as a form of rebirth, punctuated by an S.O.S. motive in the brass, and culminating with a quote from Bach’s chorale Es ist genug (“It is enough”) in the first oboe, solo cello, first trumpet and first violins, indicating that we have enough evidence and that the point of no return is near, warranting immediate, global action of the greatest magnitude. 9. [26:45-30:30] The coda begins with the drought/fire pulse and theme and soon is joined by the bird, ocean and SHE motifs, expressing the resilience of nature as well as human ingenuity in seeking solutions and adapting to a very fast evolving world. The piece ends with a violin duet symbolizing the possible and so necessary return to a state of harmony between humans and nature. 2019-12-03T20:11:34Z Comment by Susan Lubetkin @susan-lubetkin: 6. [20:07-23:53] The next section (low brass, harp, strings) is the darkest yet, describing the worst and most damaging human impact on the environment (severe air and water pollution). The inexorability theme returns, along with timpani solo and trombones’ slow glissandos, describing melting arctic ice. 7. [23:53-25:00] Next a gradual tonal clash symbolizes the current conflict between the constant, rapidly expanding world-wide growth and the need for sustainability. Flora and stream themes return, expressing nature’s resilience. The solo oboe symbolizes that each individual can make a difference and depicts humanity’s capacity for resolve and greatness. 2019-12-03T20:11:14Z Comment by Susan Lubetkin @susan-lubetkin: 4. [12:53-16:46] One of the bird calls returns but is slightly altered, foreshadowing the challenges ahead. The ocean theme comes back in full force, describing rising seas. The water theme returns, but on a xylophone instead of a vibraphone, symbolizing drought, and followed by wildfires. A sorrowful bassoon solo expresses the aftermath of fires. 5. [16:46-20:07] The population growth theme reappears and is later quoted by a single clarinet, followed by other instruments with rapid accumulation. The “circus politics, dance of the deniers” section begins and grows into the extreme weather section, where the full orchestra is at its most intense. The birdcalls return, but this time are altered and greatly weakened. 2019-12-03T20:10:47Z Comment by Susan Lubetkin @susan-lubetkin: 2. [8:20-11:40] The next section uses musical quotes to travel through time. It begins with the oldest piece of notated music ever discovered the Hurrian Hymn No. 6 (from Syria circa 1400 B.C.) in solo harp. This is followed by excerpts from Guillaume Dufay (1397-1474), J. S. Bach (1685-1750), W. A. Mozart (1756-1791), Beethoven (1770-1827), Wagner (1813-1883), Debussy (1862-1918), and Stravinsky (1882-1971). 3. [11:40-12:53] The Industrial Revolution begins with the humankind theme and merges into a section depicting mass production. The piccolo introduces the population growth theme (based on an Indian melody, as India is poised to become the world’s most populous country by the end of the 21st century). 2019-12-03T20:10:15Z Comment by Susan Lubetkin Terra Nostra is 30 minutes long and filled with themes and quotes that express precise images, phenomena, and direct references. Its architecture is based on a timeline spanning from before the Big Bang, through present time, and on to an unknown future. The overall form unfolds as follows [approximate film timing]: 1. [0:00-8:20] Pre-Big Bang is followed by a gradual buildup using the harmonic series and the Fibonacci proportions, Big Bang (brass), the beginning of Earth, time (bass drum, timpani pulse), light (high harmonic in violins), water (vibraphone, harp), flora (clarinets, violins), fauna (bird calls in woodwinds), the inexorability theme (cellos, bassoons, bass clarinet; this is an important melody that will return, each time altered throughout the piece), oceans (cellos, violas, bassoons, brass), humankind beginning with SHE (oboe solo) followed by HE (cello solo with the same notes as SHE but in a different rhythm), followed by the rise of civilization. 2019-12-03T20:08:30Z
