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Mohamed Camara is a Guinean-born, Melbourne-based percussionist, songwriter and vocalist, writing and recording in both the Malinke and Susu languages of West Africa. Together with his wife Anna Camara, the pair stand at the helm of contemporary afro-jazz ensemble Jarabi Band, a group formed to act as a vehicle for exploring stories of contemporary African and Australian musical culture, and how these two identities intersect.
Put simply, ‘Jarabi’ means love, and love resonates throughout everything the band do. Led by a husband and wife duo, the focus of the band is to share stories of love, connection and relationships, both an individual’s relationship to their surrounding world and environment, and between the players and their musical craft.
Formed in 2013, when the Camaras met guitarist David Tweedie at Woodford Folk Festival, the band have been active ever since, making regular visits back to Camara’s native Guinea to reconnect with traditional music and culture. After a first visit to Guinea in 2013, the trio were quickly joined by bassist Georgia Frey, who joined them on a second trip to West Africa in 2015. More recently, the band has incorporated two mainstays in the Melbourne jazz scene, Maddison Carter and Flora Carbo. In 2021, the group recorded their debut album with producer Stefan Blair (Good Morning, Way Dynamic), tracked over four short days in a cramped studio in Preston before being mixed by John Lee and mastered by Joseph Buchan.
‘Duniama’ is a word in the Susu language meaning ‘in this world’, and it seeks to quite literally encompass everything the band stands for. Lead vocalist, djembe, and kora player Mohamed Camara describes the album as “my personal journey of life, loss, and love. Each song tells a story.”
This idea of ‘Duniama - in this world’, has a strong meaning for the members of Jarabi Band. It can be taken to mean an individual’s relationship to their surrounding world and environment, marking their place in this complex and fast-moving world. Or it can mean connection, a relationship between an individual and our fellow human beings; our society and our community. Yet again, it can mean the relationship that exists between the players and their musical craft, a way for them to
In this way, music to the Jarabi Band becomes more than just a form of expression and a vehicle for storytelling, it becomes a way of saying ‘I am’. An expression of the self, an understanding of our place in the world, and a celebration of the act of living. Says Camara - “The term ‘Duniama’ signifies connection, relationships and the quality of life with music.”
Recorded by Stefan Blair in Preston, Victoria.
Mixed by John Lee at Phaedra Studios.
Mastered by Joseph Buchan.
The players -
Mohamed Camara - vocals, kora, djembe
Anna Camara - balafon, dun duns, chorus
David Tweedie: electric guitar, chorus
Georgia Frey: bass guitar, chorus
Maddison Carter: drums, chorus
Flora Carbo: saxophone, chorus
All songs written, performed and recorded by Mohamed Camara, under exclusive license to Music in Exile.
Music in Exile is a not-for-profit record label aimed at increasing access to resources and building professional networks for artists from culturally and linguistically diverse backgrounds. We operate on an ‘artist first’ principle, ensuring that individual artists have ownership over the tools and resources they need to build viable careers for themselves in the industry.
Read more and donate directly ~ https://musicinexile.com.au
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