Martin Loridan Martin Loridan is an internationally established composer and Professor at the Royal Conservatoire of Brussels. His works are regularly performed in Europe and beyond by internationally renowned performers such as Claude Delangle, Rohan de Saram, the Arditti Quartet, the ensembles Klangforum Wien, Fractales, Mise-en, and Accroche note. He has been awarded prestigious international prizes, such as the Reinl Foundation Prize (Vienna), the André Jolivet Prize (Paris), and the Vareler Prize (Berlin). He graduated from the Paris Conservatoire National Supérieur de Musique (CNSM). He also holds a PhD in composition from the University of Leeds (UK) that has been funded by prestigious academic grants, including the Stanley Burton Research Scholarship and the Leeds Doctoral Scholarship. His doctoral research is an investigation into air and breath (souffle) as a composition material. Throughout his career, he has developed a growing interest in traditional music (Villa Salammbô residence with the support of the French Institute in Tunis), as well as the development of new instrumental hybridizations. This includes, for example, an extended pedal system that expands the possibilities of intra-piano playing and resonance, new amplified uses of instruments (such as the accordion) that exploit electronics as a fragile element, work on hybrid lutheries, such as those derived from the Naylute, a crossbreed between the Western flute and the traditional Arab Nay. In these different contexts, he could develop the main axes of his research: the tactility of air and breath (souffle) and its dual human and instrumental resonance, as well as the porosity of air as a timbral material and its development within orchestral forces and electronic expansions in amplified works. He is also the recipient of the prestigious Art Research Fund (Fonds de la Recherche en Arts FRArt) awarded by the National Funds for Scientific Research, Belgium (FNRS). He is the artistic director of the Festival Mosaïques, an interdisciplinary experimental music festival gathering international artists as well as an intergenerational public each year in Brussels. His scores are published by BabelScores, Paris. Martin Loridan’s tracks Feed the Monster (2024) - Ensemble Fractales by Martin Loridan published on 2025-11-18T19:17:07Z Solar Winds (2025) - piano, cello and electronics by Martin Loridan published on 2025-10-05T21:13:29Z Extended pedal Project: Reverberated Impacts (2024 Version) by Martin Loridan published on 2024-06-25T10:32:19Z Extended pedal Project: Reverberated Grain (2022) by Martin Loridan published on 2023-04-07T12:07:08Z Extended pedal Project: Reverberated Feedbacks (2022) by Martin Loridan published on 2023-01-25T10:59:55Z Extended pedal Project: Reverberated Impacts (2022 version) by Martin Loridan published on 2022-11-02T15:14:59Z Tracer le Souffle (2020) for amplified accordion and pedals by Martin Loridan published on 2021-10-06T19:54:10Z Souffles enlacés (2019) for Nay by Martin Loridan published on 2019-11-07T18:29:23Z Un Eco di Soffio (2019) for two Cellos (Movement II) by Martin Loridan published on 2019-11-07T18:25:28Z
Solar Winds (2025) - piano, cello and electronics by Martin Loridan published on 2025-10-05T21:13:29Z
Extended pedal Project: Reverberated Impacts (2024 Version) by Martin Loridan published on 2024-06-25T10:32:19Z
Extended pedal Project: Reverberated Grain (2022) by Martin Loridan published on 2023-04-07T12:07:08Z
Extended pedal Project: Reverberated Feedbacks (2022) by Martin Loridan published on 2023-01-25T10:59:55Z
Extended pedal Project: Reverberated Impacts (2022 version) by Martin Loridan published on 2022-11-02T15:14:59Z
Tracer le Souffle (2020) for amplified accordion and pedals by Martin Loridan published on 2021-10-06T19:54:10Z
Un Eco di Soffio (2019) for two Cellos (Movement II) by Martin Loridan published on 2019-11-07T18:25:28Z