New album 'Written In Scars' out now!
Four years ago, Jack Savoretti quit making music. He’d had enough – of scratching a living as an independent artist, of business bust-ups, of being touted as a soon-to-be star. He’d spent two years (and all of his savings) in legal dispute with a former manager and seen the release of his second album so botched it barely came out. He was 26 and recently married, with a baby on the way.
“I thought that was my run, I’d had fun and now it was time to get a proper job,” says Savoretti. “I was done with music and, honestly, I didn’t mind.”
What happened next couldn’t have surprised the singer more.
“As soon as I said, ‘screw this’, I couldn’t stop writing,” he recalls. “I wrote out of anger, although the songs were more of a cry for help. It was the best, most personal music I’d ever made. I realised I had really learnt how to write, how to express exactly what was in my head.”
That album, 2011’s critically-acclaimed ‘Before The Storm’, saw Savoretti turn a corner. That he was an exceptional singer was never in dispute – those gorgeous, gritty, soul-soaked vocals that caused such a fuss when he first emerged and saw his DIY debut, 2007’s ‘Between The Minds’, championed by Radio 2 – but by his own admission, his early work was him finding his feet.
‘Before The Storm’ reignited Savoretti’s passion, taught him how to put himself in his songs and, crucially, led him to the musicians who helped him helm ‘Written In Scars’, his impressive new album and his first to be released by a major label, with whom he signed in 2014.
“A lot of the songs were written with Sam Dixon, who is Adele’s musical director and Sia’s main co-writer”, says Savoretti. “I also wrote with Matt Benbrook who has worked with Paolo Nutini, Jake Bugg and Faithless and finally, of course, with my guitarist Pedro Vito and Seb Sternberg (Pedro’s production partner). I drew inspiration from them all.
“The heartbeat of the album is rhythm. It’s all about groove, drums and bass. The sound was key – it came before the songs or the subject matter. I completely changed the way I’d previously written, abandoning structure for a looser, loopier, almost circular approach.“
What Savoretti didn’t spot until ‘Written In Scars’ was underway was the influence of music from his family past. “Most of my musical influences come from my parents,” says Savoretti, “My mum was into The Eagles, Crosby Stills & Nash and Motown. My dad played mostly Italian music from the ‘60s and ‘70s. In the past I suppressed that as an influence but, for the first time, on these songs, it appeared.’
What Savoretti calls the Euroclash of his past emerges in the album’s rich, warm textures and brooding atmospherics, as well as in the Spanish-style guitar that opens both the title track, a rousing revolution anthem, and Radio 2-championed single ‘Home’. It’s there in the melancholy piano and soulful phrasing of ‘Back To Me’, and in the darkness that envelops ‘The Hunger’, a song through which bass beats like a pulse.
Lyrically, ‘Written In Scars’ largely deals with struggle, or rather overcoming struggle – hence the title. “Some of that struggle is personal,” says Savoretti, “but much is about the struggles going on everywhere at the moment. It’s about emerging from strife, with fists in the air.”