Alma Redemptóris Mater Hymn - Igor Orlic by Igor Orlić

Alma Redemptóris Mater is a Catholic Marian hymn composed in the (very dear to me) fauxbourdon style of the Burgundian School of the early XV century France, Netherlands and Belgium. Whilst the style of the hymn is set, its use of harmony at times harks back to the time of older masters such as Guillaume de Machaut.

Moreover, I wanted this work to sound organic or ‘freely improvised’, hence the indication of free time in the sheet music, but another reason for this approach of composing are the words of the hymn themselves. I believe it was essential to musically depict the meaning of this ancient antiphon’s words. To that end, I took great care in connecting the words of the Latin text with the aspects of melody, phrasing and interaction between the voices.

For instance, the word “Genitorem” (Creator) carries an important and unique meaning. Musically, I decided to engage all the voices at that point with the somewhat sudden introduction of the tenor, which sings a major tenth below alto. This creates an effect of depth and dimension, and the long-held opening syllable portrays the act of contemplation or reflection. To further underline its significance, it is adorned with the longest counterpoint and the most elaborate cadence. Another example is the beginning of the fifth verse or ‘foot’ that begins with the word “Virgo” (Virgin). Here, cantus firmus begins with what I hold is the most beautiful melody in the work, but is then joined by an alto voice. My intention here was to also emphasise motherhood and femininity, as represented by the female voices.

The work is dedicated to my maternal grandmother, Kata, with whom I have had a very special bond since early childhood.