published on
brilliant nigga
a new track by channel tres (@channeltres)
cat no gm150
out 8 march 19 on GODMODE
stream on spotify: https://godmode.lnk.to/brilliantnigga
watch on youtube: https://www.youtube.com/watch?v=HbnSodNHCsk
In less than a year, the Compton-born artist Channel Tres has found fans in everyone from Elton John to Anderson Paak to Disclosure. His debut single "Controller" reimagined classic Detroit house with the surly attitude of West Coast rap, and introduced the world to Channel's effortlessly deep baritone. Pitchfork, NPR, Gorilla vs. Bear, BBC Radio 1, Spotify, Apple, Beats1, and KCRW were early champions, along with Australia's esteemed Triple J, who put "Controller" in A-list radio rotation.
Fitting for a genre-bender like Channel, this spring Tres is supporting both electro-pop superstar Robyn and the rapper Vince Staples on their tours throughout North America – including dates at Madison Square Garden and Hollywood Palladium. He's celebrating the tours with a new track called "Brilliant Nigga". It's an ode to a new kind of black exceptionalism, with shades of deep house, West Coast rap, 60s Blue Note, and dub mixing techniques. "Brilliant Nigga" is out March 8 on Godmode, the LA-based tastemakers who also brought the world Yaeji and Shamir.
All inquiries contact god at godmodemusic dot com
about the release:
Channel Tres
"Brilliant Nigga"
cat no: GM150
out March 8 on Godmode
written by Channel Tres and Nick Sylvester
produced by Channel Tres and Nick Sylvester
executive produced by Talya Elitzer
recorded and mixed by Nick Sylvester at Godmode Studios, LA CA
assistant mixing by Robert Szmurlo
mastered by Sarah Register at SRM, Brooklyn, NY
cover photo by Eric Ryan Anderson
instruments used: MFB Tanzbär, Intellijel Atlantis, Intellijel Metropolis, Intellijel Rainmaker, Intellijel Morgasmatron, Intellijel Noise Tools, Ableton Live, Apple Logic Pro, EXS24, human voice, Soundtoys Echoboy, Soundtoys Little Alterboy, Eventide H9, Boss RE20, Mu-tron Bi-Phase, Black Corporation Deckard's Dream, and other recording accidents we decided to leave in.
- Genre
- Deep House