The Official Mort Aux Vaches Ekstra Extra Walkthrough by Goodiepal/ Gæoudjiparl published on 2009-12-11T01:07:39Z NB. NB. – Please play this little video as an overture before you play the audio file: <a href="http://www.youtube.com/watch?v=pAaci7CJz44">http://www.youtube.com/watch?v=pAaci7CJz44</a> OK, updated here are a few Snappidagg cue points added, as you can see the Cloud is not very accurate and the tag icon takes up too much space etc.. - But still, this gives you very very good possibilities to post comments and questions regarding some of the complications that the Official Mort Aux Vaches Ekstra Extra Walkthrough create, please post them and I will try my best to answer... If you do not understand my Faroese-English, well, for you we have made a transcript as well, which is available here: <a href="http://www.porksaladpress.org/pmwiki/pmwiki.php?n=Main.Goodiepal">http://www.porksaladpress.org/pmwiki/pmwiki.php?n=Main.Goodiepal</a> Thank you for your time Hacker... Comment by Goodiepal/ Gæoudjiparl husk at der er nyt JESPER PER! 2026-02-19T21:06:39Z Comment by Goodiepal/ Gæoudjiparl https://www.lightspeedmagazine.com/fiction/hwangs-billion-brilliant-daughters/ & https://soundcloud.com/djfogbank/31_laer-klokken-med 2024-12-28T21:58:12Z Comment by Goodiepal/ Gæoudjiparl Klokken 12 . HERE: https://soundcloud.com/noxw/laer-klokken-med-goodiepal Klokken 13 . HERE: https://www.ubu.com/media/sound/goodiepal/camino/goodiepal_audio_svar_26.mp3 Klokken 14 . HERE: https://omny.fm/shows/l-r-klokken-med-goodiepal/flemming-dalum-to-the-rescue Klokken 15 . HERE: https://www.ubuweb.com/media/sound/goodiepal/camino/goodiepal_audio_svar_77.mp3 2024-08-21T12:49:43Z Comment by Connor McMullen Hahaha 2023-01-05T22:41:12Z Comment by Jim Haku 拍人 It was Clyde Smith the whole time. 2020-09-08T16:51:46Z Comment by Jim Haku 拍人 I'd like to subscribe to yr newsletter. 2020-09-08T16:33:04Z Comment by Eazuka Khazrik آزوكا خزريك love 2018-03-31T17:37:02Z Comment by Max Gonzalez 4 what if the percentages were vice versa 2016-08-25T06:44:29Z Comment by Max Gonzalez 4 @goodiepal-gaeoudjiparl: first heard about this in az 2016-07-19T01:30:25Z Comment by Thor Wendtland this iss kahct / / 2014-09-23T22:38:15Z Comment by sondinas hmm..Is there any elements or phenomenas that doesn't posses some kind of intelligence then? 2010-01-30T23:57:21Z Comment by Rawclaw Donnt you answer regular comments?? I dropped a 24 line long comment like 7 days ago and just because its not timelined you don't answer?? Is this site to advanced for you to grasp how it actually works??????? 2010-01-02T10:14:35Z Comment by Los Macuanos I do think this is true, as you say with people experiencing hypersensitivity to TV static and the timbre similarity to these analog electric noises to hydraulic sounds. I have read about this as "matrixing", or as picking up/interpreting subjective interpretations of intormation from random signals. There is a thing called "ghostboxing" (not the label, haha), which is a similar concept to that only applied to "communicating with the beyond". Here is a video example: http://www.youtube.com/watch?v=2OdekTj2jck 2009-12-28T08:11:10Z Comment by Los Macuanos ¿Are the vynil musical objects the ONLY objects we can use in our composition? You have said that there's a musical object that is a bench in Norway, would it be usable only if it already is objectified and wouldn't the actual objetification be a type of documentation?, albeit a very simple and straightforward one? 2009-12-28T07:36:51Z Comment by Los Macuanos So, if the Musical Bricks are always changing in naming and reference to them, how are we to know and, more importantly, what would be the use of using your musical objects to create the composition, aside from it being a collaboration between you and us? 2009-12-28T07:32:27Z Comment by Curious Cate OK, I just have this question: why does Goodiepal (when speaking so lovely and radically about future music) chose to back himself up with music sounding like a cliche of the 90's? I mean, he could also include some of his more futuristic sounding tracks like the ones on the masterpiece Narc Beacon from 2001... 2009-12-26T18:08:27Z Comment by Rawclaw It just sounds like the same 'old' left brain vs. right brain, talk that is going to be a trending topic soon.. Left Brain is Logical,Sequential, Rational, Analytical, Objective, Looks at parts. Right brain is Random, Intuitive, Holistic, Synthesizing, Subjective, Looks at wholes. So that fits with what you saying because you want to move away from left brain music and over to right brain music.. But I believe you might be approaching this problem you have a hard time explaining, from the wrong angle.. Trying to make sense of why music is music and blablalb.. I have just watched you talk for 4 hours straight and I would believe that since you can't come up with something konkret thats why all those people hate you, they don't understand you and they are a bit scared of you because your ranting seems irrational and at times random. I mean first of all I believe that alternative intelligences if beeing created by us then would have infinite life and might not be interested in something that is shorter than infinity.. I don't find a flash of light interesting if it never happens again or even comes to my attention, right? And speaking of attention then I would believe that senses makes up our perception of the world and thus what is interesting. If our senses reports positive energy we like it and if the energy is negative then we dislike it (and its our ego that defines what is positive or negative) We will find/create many kind of different alternative intelligences with different sensors that all will find different things interesting. Since music is experienced with all senses that we have available, then an alternative intelligence will have more sensors and more precise sensors than us available.. I think you talk about one other kind of artificial intelligence, the binary one and then try to describe what it would find interesting.. But I wouldn't start there. I would start of by describing all the sensors that we can think of, what they react on, what the functions are, how long timespan they work in, etc.. Then try to describe all kind of input these sensors can react on, hwo long time theese reactions take, how much you need to get a positive reaction, etc... Also what combinations of materials and emmitance the sensors react strongest on, etc. Then move on to describing the different kind of artificial intelligences we can think of by combining sensors and finally try to describe how the music they will find interesting should be made. So i would look a the hole picture of perception and accept that music, art, etc is all the same and the objective naming and materializing of the work its defined by the weiver or spectator of the work and not by the one experiencing the work - not mentally caring if its music, art, wellness, a slap in the face or whatever. But I hear what you're saying and I respect the effort you put in spreading the message of stopping this fucking left brain western world fascism that we suffer under.. True respect <3<3 2009-12-25T23:39:50Z Comment by Rawclaw thien I wånder ef I shåuld præss plgay aganm? OR 2009-12-25T20:32:54Z Comment by Rawclaw How about the playback of timeless work? How do we accomplish a non linear timeline playback routine with computers that process everything linearly? And how about the linear processing of sound in amps, speakers pushing air in a linear manner and cables?? Specially when our perception of the world is linearly and time-based? 2009-12-25T19:56:46Z Comment by Lisbent entiteterne lever. husk at ofre til nissen, eller han bare tager selv!! hvordan integrerer jeg entiteterne i min kreative process? 2009-12-19T09:52:14Z
