FAT-zig 004 Mooryc - All those Moments 7 tracks, 36.40 Freude am Tanzen on January 17, 2012 09:54
- 1. All Those Moments 3.57 4969 plays
- 2. CB Radio Edit 5.13 3534 plays
- 3. LVD 5.37 2695 plays
- 4. All Those Moments (Marek Hemmann Remix) 6.52 4529 plays
- 5. Turn Left 4.35 2574 plays
- 6. Turn Left (Douglas Greed Remix) 6.38 3928 plays
- 7. Communication Breakdown 3.46 2123 plays
Muchas FATcias 11 tracks, 1.09.22 Freude am Tanzen on December 29, 2011 20:17
- 1. Kadebostan-Portofino 6.08 9175 plays
- 2. Douglas Greed-Autumn 5.13 5253 plays
- 3. Feindrehstar-For ya Loft 5.31 4637 plays
- 4. Gathaspar-Serwus 6.57 3837 plays
- 5. Juno6-PMU 7.56 3296 plays
- 6. Krause Duo-Down Up Right Left 8.08 3848 plays
- 7. Monkey Maffia-Red Rude Boys "F J " 7.55 4387 plays
- 8. Mathy K & The Funky Punch-Back in the Days 4.40 3183 plays
- 9. Taron-Trekka-Just 6.02 2854 plays
- 10. Mooryc-Saint-Saens (Groove Mix) 5.44 4587 plays
- 11. No Accident in Paradise-Kmos 5.03 2486 plays
FAT 036 - Kadebostan - Ruff Dancer EP 3 tracks, 23.31 Freude am Tanzen on November 16, 2011 11:47
- 1. A Ruff Dancer 7.47 1909 plays
- 2. B1 Endroduncing Kadebostan 6.56 1059 plays
- 3. B2 Hidden Treasure 8.47 909 plays
FAT 037 - Robag Wruhme als Themroc - Dash Shopper 3 tracks, 11.54 Freude am Tanzen on November 16, 2011 11:50
- 1. A1 Mosca Via 4.57 1868 plays
- 2. A2 Delmac 0.50 913 plays
- 3. B Dash-Shopper 6.07 985 plays
FAT 038 - Marek Hemmann - Junoka EP 3 tracks, 21.57 Freude am Tanzen on November 16, 2011 11:55
- 1. A WhoTwo 8.31 2471 plays
- 2. B1 Junoka 6.30 1678 plays
- 3. B2 Rashomon 6.54 1439 plays
About
What a joy to dance – „we were young and wanted to make a record! “ So what came of it? Since 1998 the high energy liveliness with a lustful musicality, is a reflection of a happy state of electric senselessness. With the tools of the devil put to good use we were able to keep the fridge filled for the most part. With the words of Tocotronic we must say “the youth made it for themselves”. The aim is to be where the fun is with a qualitative proficiency. Thereof it was managed with every focus on the happenings of the dance floor and thereby influences thus – constant editions of artistic dialog with the listeners and patrons without an appeal to the lowest common denominator.
