Francisco Alvarado

www.franciscoalvarado.net I work with sound. The desire to blur the boundaries between genres and find the delicate balance between familiarity and strangeness is at the heart of my recent works. In addition to orchestral and chamber music, I frequently integrate electronics into my compositions, often within music-theatre projects and films. I studied composition at the Universidad Católica de Chile, and later continue my studies with Stefano Gervasoni at the Paris Conservatory. Between 2013 and 2015, I participated in the Cursus 1 & 2 programs at IRCAM in Paris. I address topics and questions of our time in collaborative projects with other contemporary artists. Notable collaborators include Maëlle Dequiedt, Mohamed Mbougar Sarr, Florentin Ginot, Alex W. Inker, and Rémy Reber, among many others. I have received distinctions such as the Musica Festival Academy’s prize and the CDMC prize at the INJUVE academy in Madrid. My compositions have been commissioned by prominent institutions like the Donaueschinger Musiktage, the MUSICA festival, IRCAM, the Festival Messiaen, the Royaumont Foundation, Radio France, the CNSMDP, ensemble C Barré and United Instruments of Lucilin, among others. I held an artist-in-residence position at the Camargo Foundation in Cassis in 2017, at United Instruments of Lucilin, the ExperimentalStudio of the SWR, and the GMEM and between 2019 and 2021 and composer in residency at the Festival d'Autan 2025. Since 2024, I have been pursuing a PhD in stage composition within the SACRe program in Paris.

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