"Urple Eeple’s masterful manipulation of crisp beats and beautifully sculpted synths is right up there with the likes of Flume and Kaytranada.” - Mixmag, May 2016 edition
“Lost In Motion” stands as its own extraordinary work” Nest HQ
“Urple Eeple combines thick and warm retro synths with luscious chord work, and intricate rhythms sure to infiltrate the heart of any real beat junkie.” The 405
“A place on perception with the interest of challenging conventional composition, Urple Eeple has crafted a sonic narrative with compelling scenery.” Purple Sneakers
From an early age, Peter Farr, best known for his alias Urple Eeple was playing the guitar with a passion and had an early love for blues, jazz and rock music. In his formative years, Peter began frequenting underground warehouse parties and became turned onto electronic music. He became enamored with early rave culture and it’s departure from the status quo. In the years to come Peter would spend countless hours playing synthesizers and learning the art of sound engineering and music production.
When Peter was in college he joined the collective “The Chillage” which met together on a weekly basis to critique each other’s songs. The members of this group would eventually form the prominent west coast record label, “Chillage Records.” During this time Peter would release his first EP, “Proper Fornication” and go on to release a number of singles on successful compilations. Since then Peter has played many West Coast festivals and has shared the stage with the likes of Si Begg, ODESZA, Haywyre, Freddy Todd, Plastician, Thriftworks, Grimecraft, Joker, Deltron 3030, Brillz, Starkey, Dev79, G Jones and more.
To date, Urple Eeple is a vehicle for Peter to consistently deliver music that contains cutting-edge rhythms, ear-pleasing sounds and melodies that are emotionally moving. In his forthcoming Urple Eeple EP, “Lost in Motion,” Peter has combined thick and warm retro synths with luscious chord work, and intricate rhythms that will satisfy the most avid of beat junkies.
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