Liberation Compromise for 17 Players (2017) by Tyler W. Taylor

"Liberation Compromise” is cast in three attacca movements. The first is the presentation of four ensembles, each demonstrating a distinct character and identity based upon the instruments that comprise them. The entries of the ensembles accumulate to create a mass of sound in which the individual ensembles can no longer be distinguished. The second section begins with this sound mass and the subsequent unraveling of the strict boundaries of the original ensembles. What follows is a sequence of accompanied solos, trios, and a sextet as new pairings emerge. The character of these pairings is also determined by the character of the instruments which are being featured. As this section comes to a close, the accumulation process analogous to that in the first section denotes the reformation of the original ensembles with an imposed constriction of the range of the tutti ensemble moving in toward a unison E5. The statement of the unison E marks the beginning of the third and final section. Here the original ensembles are void of their distinct identities, making only statements which are uniform in gesture and character and always at the unison within each of the ensembles.

This piece is an exploration of issues concerning identity that I find to be particularly relevant not only to myself, but to our society as a whole. However, it does not pretend to put forth any specific idea or symbol for resolution or reconciliation of these issues. I offer “Liberation Compromise” simply as a musical manifestation of my own struggle with these ideas.