Improvisation (Lullaby) [disquiet0250] by telechir published on 2016-10-16T11:39:01Z This is a single take of a piano improvisation. Something I've been doodling with for this project over the weekend. I grew up with a piano in the house, and when I left home, I've never had a full-sized instrument in the house - I had a full-size midi keyboard for a bit, and then I didn't again. Last month, around my 34th birthday, I bought a 73-note stage piano. I've been playing it ever since. I think I still, deep down, amidst the audio and electronics, identify as a piano player. It's been nice remembering feelings in my fingers and body: the piano is such a bodily instrument. Anyway: I do not have children. But if I did, I'd welcome them into the world with a piano. The piano doesn't live in the studio or study; it's in the living room. It's a social instrument; music is love. And if I had children, I'd play to them; play for them. There's so much richness in all those strings (virtual or not); so much to say with 88 keys. I treat Junto not as a way to show _finished_ pieces, but as a way to _start_ pieces. And thus: there are mistakes, there's a clipping error. But there's also something in here, I think. And so: a single take, just audio, and then light mastering and effects. Goddamn it, babies, you've got to be kind. Comment by tact mixes Huh, that's funny you mentioned children and pianos. Just took my own daughter out recently for some dinner and ended up at a jazz piano lounge. She was transfixed, and yes, wasn't long into the night that her amazement faded into some good sleep. I too am a firm believer in the power of the piano, though I can't play it to save my life. I'll leave that to you :) great work! 2016-10-21T08:59:40Z Comment by telechir @user-651760074: thanks! 2016-10-18T18:56:43Z Comment by Hypoid Beautiful piece of music, this is why piano is still the king, so much emotion:-) 2016-10-18T01:01:25Z Comment by ikjoyce @telechir: I am very lucky in that I caught a major retrospective in Washington DC about 20 years ago, and they were all still mobile back then - fantastic exhibition. I convinced a load of my friends to come to the Tate exhibition because the work is amazing, only for it to be a near static display with signs all over the place saying not to touch or try and make them move. 2016-10-17T12:19:52Z Comment by 337is (three three seven is) Thoughtful and invigorating. I'm happy you have your keys back 2016-10-17T11:59:40Z Comment by telechir @ikjoyce: thanks, Ian, really appreciate it. (I saw the Calder show - it was busy when I saw it, and they slowly started drifting into life. but they weren't exactly helping them move...) 2016-10-17T11:30:24Z Comment by ikjoyce The warm bass feels like a thick coat pulled around during a snowfall (the lighter high notes) 2016-10-17T09:34:22Z Comment by ikjoyce This is a fantastic track, the chord sequence is quite lovely and warm. Great choice of pic too - Calder's mobiles are fantastic (when they are allowed to move! Tate Modern did an exhibition this year that was really disappointing, the mobiles were static because they are now too delicate to move :-( ) 2016-10-17T09:32:48Z Comment by telechir @wust: thank you! 2016-10-16T19:35:28Z Comment by WÜST wonderful 2016-10-16T17:42:54Z Comment by Luovodifaberge so emotional 2016-10-16T12:08:37Z