Rosevere [Disquiet0301] by Suss Müsik published on 2017-10-06T20:57:49Z Water is distilled when its impurities are removed through boiling, after which the steam is condensed into liquid form. Repeating the steps(a process called double-boiling) renders distilled water of even greater purity. Ambient music is much like water in that it assumes the shape of its container. Suss Müsik is intrigued by the concept of sound being filtered over time, a single droplet extended until the brain can no longer differentiate between individual tones. The entirety of Pauline Oliveros' excellent Deep Listening work reflects this approach. For this piece, Suss Müsik captured a 30-second excerpt from each of the ten tracks on Lee Rosevere's 5 MInute Meditations. Each excerpt was then sampled and stretched to five minutes each. A 5-second sample was then pulled from this result (an audio form of "double-boiling," if you will) and again stretched to the five-minute mark. The ten distilled textures were each played on separate tracks with some form of MIDI instrumentation, for a duration of five minutes apiece, which we then faded in and out in sequential order. The segments overlap by ten to twenty seconds to produce the final result. The samples felt a little thin, so a subtle deep beat was added to fatten the mix. The drum sound underwent the same "filtration" process described above. The piece is titled Rosevere. The image is a magnification of water drops viewed from inside a glass jar. More on this 301st weekly Disquiet Junto project (“Artfully reduce an album to something less than itself”) at: https://disquiet.com/0301/ More on the Disquiet Junto at: https://disquiet.com/junto/ Subscribe to project announcements here: http://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0301-parts-sum/ There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion. Genre Disquiet0301 Comment by taRka @suss-musik: i feel the same 2018-06-10T17:15:27Z Comment by Minamof great work! 2018-03-27T13:30:20Z Comment by Ya Wha? A great track to 'rediscover' 2018-02-04T22:51:51Z Comment by Suss Müsik @idxxiii: Cheers :) 2017-10-10T14:08:16Z Comment by IDXXIII great track and description, thanks for sharing... a great insight for me! :) 2017-10-10T13:34:33Z Comment by otolythe I like the pulse ^_^ 2017-10-09T20:55:32Z Comment by otolythe I like the pulse ^_^ 2017-10-09T20:52:14Z Comment by WÜST great approach and beautiful result. i´m with Daniel about the pulsing low tone. 2017-10-09T17:05:00Z Comment by Suss Müsik @yawha: Thank you for these nice comments. Most "deep listening" pieces have the quality you mention: pick any spot in the track and it sounds completely different. It's more of a challenge for the composer than one would think. 2017-10-09T12:31:16Z Comment by Suss Müsik @half-unusual: Thank you. 2017-10-09T12:30:23Z Comment by Suss Müsik @north_woods: Thank you very much. 2017-10-09T12:30:02Z Comment by Suss Müsik @daniel-diaz: Thank you as always. We have been reading about "second-order thinking" and that has influenced our approach to musical construction. 2017-10-09T12:29:52Z Comment by Ya Wha? Beautiful pure tones emerge throughout this track. And as ever, your description of the process is engaging and thought-provoking. Love when you don't really notice modulations in a track when listening thru, but click anywhere thru the track and it sounds totally different... You know you've 'done it right' when that happens. (y) 2017-10-08T23:09:32Z Comment by Daniel Diaz Love it when there's that sort of muffled pulse underneath the hovering "bed", great track. 2017-10-08T10:33:35Z Comment by NorthWoods beautiful piece and I love the writeup too. I learn a lot from your descriptions and they're enjoyable to read, too! 2017-10-07T22:51:57Z Comment by halF unusuaL Lovely how this morphs and changes 2017-10-07T07:21:46Z