Panspermia [Disquiet0272] by Suss Müsik published on 2017-03-18T14:29:21Z Suss Müsik is fascinated whenever a new planetary system is discovered. We imagine the excitement must be similar to a child finding loose change while building sand castles, albeit at a much grander cosmic scale. It's evidence that life could have existed before we entered the scene, giving resonance to our actions. According to an article on Gizmodo, a new Harvard University study raises the compelling evidence that the TRAPPIST-1 planets are close enough to each other that microbes could hop from one planet to another, skipping over rocks suspended in space between forms. Some scientists even suggest that life on Earth could have started this way, but don't tell your Sunday School teacher that. For this short piece, Suss Müsik created a series of simple polyrhythms on piano: 3:2, 4:3, 5:3 and what we think is sort of close to 8:5 (we lost count). These phrases were cycled "in orbit," giving the effect of emerging and receding into listening distance. Individual notes were then allowed to "travel" from one phrase to another within a four-octave range. The piece is titled Panspermia, named after the theory that life on our planet originated from chemical microorganisms who traveled through outer space searching for an environment suitable for habitat. The image is a chunk of marble pilfered from the cliffs of Carrara, Italy. More on this 272nd weekly Disquiet Junto project — “Exoplanetary Intervals: Use music to express the relationships between planets” — at: http://disquiet.com/0272/ Major thanks to Junto participant Mark Lentczner for having taken the lead in proposing and developing this project. More on the Disquiet Junto at: http://disquiet.com/junto/ Subscribe to project announcements here: http://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co: llllllll.co/t/exoplanetary-interv-disquiet-junto-project-0272/ There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion. Genre Disquiet0272 Comment by Suss Müsik @yawha: Thank you! 2018-05-20T17:29:37Z Comment by Ya Wha? Great track to stumble upon again.. 2018-05-20T13:09:34Z Comment by Hypoid Nice interplay of planetary bodies you got there ;-) 2017-03-21T02:57:45Z Comment by WÜST @suss-musik: you´re welcome : >) 2017-03-20T17:49:03Z Comment by Suss Müsik @paulchristophrose: Thank you! Sort of half & half: polyrhythms played & recorded in real time over several takes, then "cleaned up" digitally. There's no substitute for getting people in a room, however, since that's where the most dynamic results seem to originate. 2017-03-20T14:27:44Z Comment by Suss Müsik @mtnviewmark-bits: Thank you! The concept of phasing polyrhythms is definitely worth exploring in greater depth. Junto 0272 is brimming with invention. 2017-03-20T14:26:22Z Comment by Suss Müsik @yawha: Thank you! 2017-03-20T14:24:45Z Comment by Suss Müsik @rupertlally: Thank you! We love Reich's Piano Phase. 2017-03-20T14:24:39Z Comment by Suss Müsik @wust: Thank you! 2017-03-20T14:24:08Z Comment by paulchristophrose while this probably arranged on a computer (is it?), I would love to see various musicians play such a piece. Beautiful 2017-03-20T10:18:34Z Comment by WÜST lovely work 2017-03-19T17:30:50Z Comment by rupertlally Beautiful work, it's got a great Steve Reich Piano Phase vibe to it... 2017-03-19T11:16:20Z Comment by Ya Wha? This is beautiful, so restful. Excellent! 2017-03-19T00:16:19Z Comment by MtnViewMark-Bits It would be wonderful to hear a longer, larger treatment of this idea. It feels very fertile. 2017-03-18T17:20:22Z Comment by Suss Müsik @daniel-diaz: We admittedly "cheated" a bit with a few stray notes, but we stayed within the range at least. Thank you as always! 2017-03-18T17:06:07Z Comment by Daniel Diaz lovely poly-rhythmics. we both took same Reich/Phases approach but you made it more musical. Perhaps my favourite this week, bravo. 2017-03-18T14:52:20Z