Gasko [Disquiet0319] by Suss Müsik published on 2018-02-10T13:36:26Z In his book The Visual Display of Quantitative Information, designer Edward Tufte describes how "erasing principles" can have a beneficial effect on the way we interpret graphical data. "Half-faces carry the same information as full faces," he writes. "Halves [are] easier to sort [and] can be used to report additional variables. Bilateral symmetry doubles the space consumed by a design without adding new information." In an information-rich world where everything we do or say is excessively catalogued, it is our ability to edit that optimizes human experience. High-density design is hard work; detailed complexity renders our tasks more difficult, sacrificing economy of scale for the sake of gratuitous proliferation. The simple act of making a decision becomes more arduous, counterbalanced by the fear of leaving out something important that we'll need later. For this short piece, Suss Müsik sought to bilaterally visualize an erasing principle using sound. A simple, nearly symmetrical melody is played on fake woodwinds and degraded over 16 measures. Each note in the sequence is eliminated step-by-step to create a series of comparisons. In some instances, a note returns briefly only to be abandoned in the next bar. The piece was starting to feel a bit dry, so we added a pulsing synth bass and acoustic percussion as background. The result is something like Martin Rev sitting in with Babatunde Olatunji while Ransom Wilson rehearses Vermont Counterpoint. The piece is titled Gasko, named after the researcher Miriam Gasko. She is known for co-authoring a scholarly paper on the effect of halfspace depth on short-term memory when using a computer interface. The image is an eraser. More on this 319th weekly Disquiet Junto project (Duly Noted: Make a composition with the same melody repeated but with notes appearing and disappearing) at: https://disquiet.com/0319/ More on the Disquiet Junto at: https://disquiet.com/junto/ Subscribe to project announcements here: http://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0319-duly-noted/ There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion. Genre Disquiet0319 Comment by Robert Knote very special, interesting building, rich in sound varities 2018-02-18T18:04:32Z Comment by NorthWoods just a really beautiful piece of music. Thank you for this! 2018-02-11T16:49:04Z Comment by Daniel Diaz excellent, spot on take on the assignment. Amazing how tension rises as the melody disappears, completely unexpected. 2018-02-11T11:14:38Z Comment by halF unusuaL Lovely 2018-02-11T06:02:39Z Comment by MtnViewMark-Bits really great flow throughout! 2018-02-10T18:00:52Z Comment by Synth Avesta Excellent! 2018-02-10T16:02:17Z