In the Spring of 2013, the release of a new album by fusion guitarist and "Independent Music Award" winner, Roman Miroshnichenko, will be released. The album, titled "Surreal", was produced in studios on four continents - Europe, Asia, North, and South America. During the recording, Miroshnichenko worked with eminent musicians from Brazil, Argentina, France, the United States, and Indonesia. A number of the tracks were produced together with Latin Grammy winner, composer, producer, arranger, and multi-instrumentalist Daniel Figueiredo, from Rio de Janeiro. Also featured on the album are; the Godfather of Fusion, Larry Coryell, French jazz bass guitarist, Dominique Di Piazza (ex- John McLaughlin band), from California guitarist Mario Olivares and producer/bassist Josquin des Pres, Indonesian keyboardist, arranger, Alvin Lubis, and the outstanding Argentinean pianist; nominee of the award Gardel a la Música 2012, Mario Parmisano (long time collaborator with Al DiMeola).
The album contains 12 tracks which consists of Miroshnichenko's own original compositions, several by guest composers, and some of Miroshnichenko's own interpretations and arrangements of well known pieces such as a selection from Sergei Rachmaninoff's "Piano Concerto No. 2", Aleksandr Borodin's "Polovtsian Dances", and the bonus track, Astor Piazzolla's "Libertango". The album cover artwork for "Surreal" is by American artist, Mike McGlothlen, and is in the style of legendary Surrealist painter, Salvador Dali.
In Europe, the album will be published and released by the German label, "7Jazz", and in America, the album will go on sale through online digital distribution.
To paraphrase a Russian source quote of Dali, "Surrealism is full freedom of the human being and his right to dream." Roman Miroshnichenko says of his newest work, "I have called my album 'Surreal', because the material, in my opinion, is an expression of using my freedom to dream and create. I didn't think at all in terms of 'format' and 'conjuncture', as I see those concepts as a considerable part of what is making 'Modern' music less evolved. The idea for this album is for the listener to feel freedom and independence to 'hear' the real beauty and mastery of music; that which can only be appreciated when preconceived concepts and formulas of what makes a song are thrown out. I think my previous albums were great vehicles of getting my music noticed in the West, by garnering awards and positions on the Indie Charts, but in this new album, I feel I have managed to prove so much more as a composer and arranger, where each composition has become more of a narrative character."