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New York is a city of ghosts. An ordinary-looking building on an unexceptional street can harbor the spirits of countless human dramas of past years: family secrets, forgotten news, lost traditions, heroes unsung, artworks unseen….
If every building on every block has stories to tell, one place in particular has a history like no other. The inconspicuous four-story brick townhouse at 64 East 7th Street was at the heart of a long series of dramatic moments in New York's cultural history, from the day of the city's first major disaster through the Beat movement and the punk era to 21st-century gentrification.
The Parsonage gives musical voice to the varied lives of that single building over more than a hundred years. To express the wide variety of tales it holds, The Parsonage was created by a group of eight composers from the worlds of jazz, contemporary classical, and "post-classical" music: Darcy James Argue, Theo Bleckmann, Regina Carter, Ted Hearne, Kirk Nurock, Renee Rosnes, Sarah Kirkland Snider, and Dan Tepfer. The libretto is by the author and lyricist David Hajdu, who conceived the project and oversaw its creation and recording over a period of four years.
Hajdu discovered the full legacy of 64 East 7th Street while researching the archives of applications for historical-district status in Greenwich Village. Startled by the forgotten histories he found, Hajdu began to imagine them as pieces in a song cycle: a hybrid work involving widely varied creators, to serve the hybrid, varied nature of the building's history.
“I'm glad the bizarre history of this building is true, because if I invented it in a work of fiction, people would say, 'Oh, that's ridiculous -- all that could never happen in a single location,’” said Hajdu, whose previously published a novel about the downtown New York art world.
Hajdu has known the Village since his undergraduate years at New York University. His early interest in writing had led him to the Book ‘N Things shop in the East Village, which happened to be housed in 64 East 7th Street. Later, Hajdu would find success as a highly regarded author and professor at Columbia University. Over the past decade, he has emerged as a lyricist of note, working primarily with the pianist and composer Renee Rosnes in a partnership the critic Stephen Holden has described as "an unexpected happy marriage of Stephen Sondheim and Joni Mitchell for the 21st century."
After completing lyrics to seven of the cycle's songs, Hajdu reached out to a group of composers known for working in a range of styles. One of the first to sign on as both composer and singer was the genre-defying vocalist Theo Bleckmann, who brought in the highly versatile singer Alicia Olatuja and recommended the composer Kirk Nurock. All the composers got into the spirit of the project, with many asking for the full history of the building along with pictures and historical documents to help them conjure the eras of the songs. The adventurous pianist and composer Dan Tepfer was brought in to lead the instrumental ensemble of cellist Erik Friedlander, bass clarinetist Carl Maraghi, and bassist Sean Smith.
- Genre
- Jazz & Blues
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