Rrose 'Monad XVI' [SAM016] by Stroboscopic Artefacts published on 2013/09/02 05:35:44 +0000 After a remix for Dadub on Stroboscopic’s Preternity release, Rrose checks in with a full solo release through Monad XVI. This is a record half machine, half beast, at times empathetic but continuously emphatic. Opener ‘Onceless’ is a nine-minute coalescence of the aural narrative of Apocalypse Now. Running throughout is an incessant buzzing, more helicopter and plane than the label’s favourite bees. From this mechanical source emerges an eerie tribal drumming, slowly bringing the dissonance to a chilling conclusion. ‘The Stare’ begins as optimistically as ‘Onceless’ seemed pessimistic: a beautiful bass drum induces a whirring repeat. This repeat, however, begins to suffocate, absorbing the drum in a slide towards more mechanical disorientation. Paranoid hi-hat and insistent low ends are then introduced to close. ‘Kneeling’ is an amalgam of hi-end loops, the master sampler for a 1980s ‘computer sound’ film stock. The tone is brought back from the electronic precipice by a more verdant perspective in the middle minutes, but this cannot prevent the electronic whirring from passing into final track ‘Wet Silk Will’. ‘WSW’ has a greater jut than its predecessors, breathing and striding in a human form. Yet while it pursues this more human resolve, it certainly retains the EP’s signature pursuit of determined, electronic force.