FOLLOW MY TWITCH WHERE I'LL BE PRODUCING ALL MY NEW MATERIAL LIVE.
If you want a remix or to have me on a compilation - please give serveral months notice - it can sometimes take a lot of time to produce something I'm satisfied with - the more time I'm given the better!
Yes, this music is political.
Yes, it'll keep being political.
No, it won't get any less political.
Yes, it'll probably get even more political.
Yes, I'm a filthy fully automated armed luxury space leftist communist atheist pagan marxist satanist accelerationist and
Yes, its okay to be scared.
All systems end.
I dismember various extreme electronic music genres, and some non-electronic ones, keep the pieces I like, discard the rest, and then make polyrhythmic, tempo-transcending, concatenating, truncating, undulating psychotic sonic-hybrid aberrations of genre and blasphemies of commercial music, designed to stimulate critical and revolutionary thinking and at a more basic level, pattern recognition. I make long tracks because ideas deserve to evolve - boundaries on digital art are 100% arbitrary.
I enjoy genres of music on the basis of the sounds they are comprised of, and not the structure with which they are arranged, or their composition. I produce things that probably contain a lot of very familiar sounds, in very unfamiliar rhythmic and compositional contexts. To me this is far more artistically satisfying and fun than producing something which is a structural mash-up of two or more genres, in which you can distinctly and readily identify each one.
I am something of an amateur mathematician and what you're hearing is a LOT of interrelated, sonic representations of sequences and intervals deliberately applied based on some pretty nerdy parameters. Prime numbers and their binary representations are of particular interest to me.
I loathe categorization of music by BPM (with the exception of speedcore, which handles that quality in arguably ironic fashion) and yes, I intentionally produce at very high BPMs while keeping the back-beat (hats, snares, etc.) in 1/2, 1/4, or even 1/8th time in order to give the impression of "slow"ness. I love DJs but I intentionally fuck with them by using very large, prime-numbered BPMs.
If I sound like some sort of elitist hipster, know that I love sharing and will gleefully explain literally any sound you hear to anyone that wants to listen; I love showing people how things are made. I make the music I want to hear and by no means do I want to be the only one making it, keep it to myself, or see it as some elite secret or talent that elevates me. My methods are open to anyone that wants to know them (particularly if you show up during one of my twitch streams...) (hint hint).
I enjoy post-industrial, powernoise, (some) power electronics, pretty much any genre that ends in *-core (psy-, speed-, hard-, break-, etc. etc.), technical death metal, IDM, gabber, darkpsy, darkstep, techstep, etc.
Rose Red Flechette’s tracks