Derivolution [disquiet0068-deriv] by nadaRobot

First Junto track I've tried - in point of fact, first thing I've recorded in years! Didn't really have anything in mind when I sat down to work on it, other than a desire to use the constraints of the project as a creative impetus. As far as process goes, I stacked the three component tracks in Audacity, then time-stretched, snipped, and aligned things until I had a pleasing shape. From there, one of the tracks went through a fair amount of mangling in Hourglass. Finally assembled the piece in Studio One, added pitch shifters and delays to add motion, a touch of compression and eq to glue it all together, and then laid on a dollop of reverb for good measure.

More on this 68th Disquiet Junto project, the intent of which is to draw attention to the benefits of a Creative Commons license allowing for derivative works, at:

http://disquiet.com/2013/04/18/disquiet0068-deriv/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

This track is composed from material extracted from three pre-existing tracks (“The Find Beauty, Even in the Mundane,” “Immaterial Girl,” “Libertarian Entertainment Automaton”) by C. Reider, all of which were released on the album The Conjuncts on the deriv.cc netlabel, and were themselves derived from the following: “Garden City” and “Ventilation” from Tulse Hill by Hannah Marshall; “LichenWall” from Gardening by Steve Moyes; “Eighteen Events” from Not One Nor by Daniel Barbiero; “Awkward Customer” from [m2012/30-09] by Restive; “cues two three” and “cue six” from Cue Sheet by Sighup; “Sending Dreams to She Downstream” from Pocket Suite by He Can Jog; “The Palsgraf Scale” from Weights and Measures by Gurdonark; “Bonus Track” from Pale by Leo Bettinelli and Pol Nieva; “Haunted Grace” from Haunted Grace on SoundCloud by Jess Lemont a.k.a. Be A Waterwolf; “Ochiita” from Gently Annoying by Xesús Valle; and “Once More With Intellect” from [m2012/30-09] by Restive.