'Return To Form', the debut album by Torii, out on Mink Records 21 February 2020.
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When you first listen to the psychedelic pop of Torii, the songs seem to deftly breeze by without a care in the world: warm, wistful and weightless. Multiple listens to the band’s debut LP Return To Form (out in 21 February '20 on tastemaker Mink Records), however, reveal a stark antithesis of that snap judgment: each one of these eleven tracks was written, composed and recorded with painstaking, deliberate care. Founder Domenico Mangione transmutes troubled feelings of trauma, lonesomeness, and alienation into his intricate, spectral production values.
Torii started as a solo project that found Mangione demoing tracks in an abandoned school building. This rather desolate scenery, plus the screeching of the seagulls that terrorized the area, provided the perfect echo chamber for the Dutch musician & producer to find his definitive voice, at his desired pace. Now a steady five-piece ensemble – Mangione, multi-instrumentalist/producer Tijmen van Wageningen, guitarist/lap steel player Willem Oostendorp, keyboardist Jilles van Kleef, and drummer Olivier Schiphorst – Torii began using Mangione’s free-spirited recording methods as the root for fully-realized studio splendor, giving themselves ample time to blur the sharp frontiers in skill and philosophy. Each musician handled Return To Form’s makeup with kid gloves, harvesting wayward sounds in meticulous fashion.
The band’s crisp attention to detail – each drunken lap steel note, glistened vocal overdub or softly applied bass thrum – isn’t anything less than cathartic. Domenico: “We don’t want to be the umpteenth band that reacts to something and becomes mired in the whole guitar rock machismo. I feel people are generally too confined to their own self-image, rather than just making music.” By merit of Mangione’s deep investment in recording and composing songs, he was able to confront some of his greatest demons. While some music is made to channel hardships, Torii opts to enwrap it, nourish it, and fill up those cold barren voids with myriad colors, textures, and vegetation.
The phosphorescent phaser-infused glimmer of ‘Oh Nola’ and the narcotic, Van Kleef-penned ‘Sinuosity’ both illustrate the band’s desire to create an alchemy of pop harmonics and texture that’s somehow anything but intimidating. Domenico: “Tijmen played this wonderful recorder melody on (Sinuosity) that’s barely audible. All four of us love records like that: in which you discover something new each time you hear it. But without it becoming overwhelming.”
Torii shrewdly borrows stylistics and bends them to its whims, like on the sweltering soul melodicism of ‘Heat Lightning’, which thrillingly accelerates into a motorik-indebted slipstream. Then there’s the chiming, tropical mirage of ‘Passing Thoughts’, one of the foursome's more organic strokes of brilliance. The instrumental ‘Tongue Tied’, meanwhile, was recorded in the middle of a half-pipe, its sleepwalking, benevolent daze informed by the setting's contorting acoustics. Torii strays most from its cryptic abstraction on ‘Antwerpen’, a heart-rending push-and-pull exercise between unconditional love and bitter inertia.
Congruently, Return To Form is the kind of singular pop record that treats dissonance and tunefulness as a calming symbiosis, and though the five musicians responsible have traveled radically different paths, they all met halfway within the album’s strange disembodied zone.
- Alternative Pop