Glasgow Underground, Hotfingers, Nervous, Sony, Makin' Moves, Azuli, Velcro City Records, Open Bar Music, Disco Modernism, Easy Street Records, Hi-Bias, AM:PM, Media Records, Kult, Heartbeat, Blanco Y Negro, Tommy Boy etc.
Massimo Paramour is a musician in every sense of the word. From organ soloist and orchestra conductor, to music producer and remixer: after graduating from the Conservatory of Music in Pipe Organ and Composition, his career in the dance music business kicks off in 1994 at Media Records (Italy), where he gets involved in the creation of dance-hits for Cappella, 49ers, Sharada House Gang and Clubhouse. As he takes over Heartbeat records in 1996, he produces alongside Ashley Beedle, Gemini, Ralphi Rosario, Roc & Cato, Chris Coco, A Man Called Adam, to name a few. He then relocates to New York and remixes songs by De'Lacy, Shawnee Taylor, Jimmy Somerville, Tito Puente, Angie Brown, Jocelyn Brown, Michele Blade, Debbie Pender and many more.
Based in London since 2004, he has been ingaging in an intense activity as music arranger for various recording studios including the legendary Abbey Road. He writes music for adverts, art exhibitions and cinema and also starts Djing in a few clubs, rapidly gaining solid reputation for musical innovation and originality. He has been playing all around the world and is now resident DJ at Matinee in London.
Recent collaborations with Gianluca Pighi and DJ Pagano have resulted in the release of internationally acclaimed tracks and remixes.
His latest single "Waiting" feat. Alexander Price, recently reached No 32 in the Beatport Indie-dance Chart.
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Mexico City, Mexico
North East of Italy, Italy