Malcolm Pardon

While he’s worked on many different projects over the years, there’s a common thread of cinematic poise linking Malcolm Pardon’s work together. His most prominent work has been as one half of Roll The Dice alongside Peder Mannerfelt. Their widescreen electronica combines orchestral sensibilities with a roughly textured, experimental edge, collaborating with artists such as Pole, Alessandro Cortini and Glasser, and finding a home on Digitalis, Leaf and their own label The New Black.
With a mixture of Scottish and Swedish heritage, Pardon’s earliest dalliances into music were in London in the 90s at the height of the Britpop era, even flirting with major label success playing bass in the band Kinky Machine. He eventually moved back to Stockholm and immersed himself into songwriting and production. As well as the many albums and tours with Roll The Dice, he established himself within the realm of soundtrack composition for TV and film, co-scoring projects such as Chernobyl director Johan Renck’s The Last Panthers series, and additional music for Hollywood projects Edge Of Tomorrow and Anon, to name but a few.
While his soundtrack work and Roll The Dice continue unabated, Pardon has also embarked on his own solo music projects with the release of Hello Death, a personal exploration of our relationship with mortality as expressed through plaintive, minimal piano pieces and atmospheric production (assisted by Peder Mannerfelt and Pär Grindvik as Aasthma).

Press: xavier@wallroommusicgroup.com

Malcolm Pardon’s tracks

• 4 - Malcolm Pardon - Penelope Trappes meets Silent Rumble by Malcolm Pardon
• 3 - Malcolm Pardon - Peder Mannerfelt meets The Blindspot by Malcolm Pardon
• 2 - Malcolm Pardon - Klara Lewis meets End Less Theory by Malcolm Pardon
• 1 - Malcolm Pardon - Regis meets Blood In Water by Malcolm Pardon
• End Less Theory by Malcolm Pardon
• Blood In Water by Malcolm Pardon
• Unsettled Beginnings by Malcolm Pardon
• A Descent by Malcolm Pardon