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A transverse flutist is an arguably rare sight in electronic dance music, but that's not the only thing setting apart trained instrumentalist and upcoming producer L_cio. Having become known to a wider audience thanks to his collaborations with floor-savvy artists like Portable or Patrice Bäumel, the Sao Paulo native doesn't aspire to be a DJ, but instead delves deeper into live performance in a club context - which led him to become that rarest of all things, a live electronic musician holding residencies in regular clubs without ever so much as touching a record.
Even in the broad and pretty undogmatic sonic landscape that is electronic music today, he's a rare sight: Laercio Schwantes aka L_cio, the man with the transverse flute. Having turned quite a number of heads with his instrumental contribution to Portable's massive 2014 crossover hit "Surrender" ("Best New Track" at Pitchfork, among others), it's not been Laercio's first encounter with electronic sounds - a series of hybrid collaborations, projects and releases sitting squarely between acoustic and synthetic modes of production show a trained instrumentalist and live performer that knows his way around the studio, too.
Born in Sao Paulo to a deeply religious family, Laercio has been around music all his life - amidst the challenges of daily life, his adventist parents would whip out all sorts of instruments whenever the situation would allow it, introducing a young and curious mind to a wide range of musical expressions. It should come as no surprise, then, that our hero quickly felt at home with notes and bars, choosing the flute as his first weapon of choice which he eagerly studied from the age of seven. Even later non-musical career choices always reflected an infatuation with the world of sounds, like his stint as a capoeira teacher, combining martial arts, acrobatics and dance.
With such a multi-faceted background in music, the inevitable tinkering with synthesizers and other means of electronic sound generation was rather a question of time than one of ambition, and sure enough we find Laercio roaming the parties of the mid-noughties, absorbing the unique melange of styles and scales that inform club culture to this day. In stark contrast to most other rave inductees at the time, however, he never wanted to become a DJ: his area of expertise is the performance, not the collecting and curating of other people's releases, and it shows in the unusual fact that Laercio has held club residencies as a live electronic musician in venues like Sao Paulo's The Edge without ever so much as touching a record.
It's a charming anecdote that Laercio presented his presented his first demos to a light jockey and not to a club DJ or promoter, but he did so knowingly, always appreciating a different angle and preferring a free-form approach to musical expectations - instead of locking himself up in standardized delivery. Maybe that's why he's held in such a high regard as a contributor by a growing number of dance floor artists such as Portable or Patrice Bäumel, all the while exploring his own sounds in the club trenches as well as in the summoning pits of the studio. It's what led him to appearances all over the world and in all sorts of media, from London's Egg Club to Boiler Room Sao Paulo or Live At Robert Johnson's Lifesaver tour, a fascinating and highly idiosyncratic trajectory that is bound to hold more surprises in the years to come