While My Guitars Gently Whip (2009) - electric guitar quartet by Karlheinz Essl

Live recording of the premier performed by ZWERM electric guitar quartet at de Single (Antwerp) on March 28th, 2009.

While my guitars gently whip is the fruit of of long series of experiments that I conducted with the electric guitar. Having played this instrument as a rock-obsessed teenager, I re-discovered it 25 years later. In the meantime, I have studied composition and musicology and became heavily involved with electronic and computer music. Working as a composer writing complex musical scores I felt more and more the desire to re-connect to those ecstatic times when I was performing on stage with my electric guitar. But first I developed my own idiosyncratic electronic instrument called m@ze°2 (1998 ff.) which I am still using for free improvisation and live performances.

In 2007, I was ready for another change when the handling with MIDI controllers, graphic tablets, keyboards, computer mouses and pedals became more and more insufficient. I was seeking for an instantaneous, tactile input device to be included into my live-electronic setup. First I was thinking of a custom-made wooden resonance box equipped with strings, contact microphones and pickups that could be plucked, bowed, beaten and scratched. As such a device had to be constructed first (and I am not really good at tinkering) I suddenly realized that a common electric guitar already fulfilled most of my requirements. So I bought myself a Steinberger electric guitar - the most compressed instrument of its kind - and started to study the almost forgotten playing techniques again.

Fortunately, as the body obviously has a strong memory, I got back very quickly to the status of playing that I had 25 years ago. However, meanwhile my musical mind has completely changed: Not being primarily interested in re-adapting those powerful rock clichés, I tried to develop a fresh view onto the electric guitar. First of all I decided not to use a plectrum at all and to develop a personal finger-picking technique which incorporates several elements that I used when playing the double bass. Then I discovered the possibilities of an E-Bow which serves as a wonderful substitution for the bow. Later I became familiar with tapping technique and the use a volume pedal in order to shape the envelope of the sound.

With these achievements, I wrote a piece for electric guitar and live-electronics Sequitur VIII in the beginning 2008 as part of my Sequitur project.

I was discussing this development with my friend Serge Verstockt, a composer and the musical director of the Belgium ensemble Champ d'Action. To my surprise he revealed that he has gone through a similar process recently. As part of my residency with his ensemble during the season 2008/2009, he commissioned to me a composition - not for chamber music ensemble as expected - but for a group of young electric guitarists named ZWERM. This gave me the possibility to explore the sound world of this instrument in different way: not as a solo instrument with its pretentious attitudes, but as the part of an organism that is constructed of four equal parts which are communicating with each other. By this interaction, a complex sound entity should be created that builds up a spaces in which the listeners may immerse in.

Info: http://www.essl.at/works/guitars-whip.html