Kanding

Composer Ejnar Kanding (b. 1965) is internationally known for his unique colourful sound, where the electronic and acoustic are united in complex textures, physical energy and delicate simplicity. To him, music should not embellish, but be a realm of fantasy. A journey into the ambiguous – a hall of mirrors. Kanding originally got his degree in composition and musical theory at The Royal Danish Academy of Music in Copenhagen in 1993, followed by studies at IRCAM in Paris and with Professor Lev Koblyakov in Jerusalem in 1994 and 95, but has since his debut concert from the Royal Danish Academy of Music in 1996 specialized himself in composing music for computer and instruments. This has led to an extensive use of the software MaxMSP in the development of his works and as an instrument in live performances. Despite this obsession his focus is never the electronic experiment, but always the musical expression, form and phrase.
The way Kanding uses the digital mixing console and MaxMSP as an instrument is pioneering the new assignment as a musician which is known as live electronics or sound direction. His virtuosity in this field has led to numerous performances of own works or others of both improvised and written music with various groups, for example, works by Saariaho , Nono and Stockhausen; and ensembles as Cikada (NO), Ars Nova (SE), Jack Quartet (NYC), Transit ensemble (NYC) and Adpater (DE).

Kanding’s tracks

• Schichtstruktur (2016) by Kanding
• Obscure Transparence 1 (2013) by Kanding
• Obscure Transparence 2 (2017) by Kanding
• Obscure Transparence 3 (2016) by Kanding
• Sensitive Shades 1 (2016) by Kanding
• Sensitive Shades 2 (2018) by Kanding
• Danish Golden Age Pieces 1 (2019) by Kanding
• Danish Golden Age Pieces 2 (2019) by Kanding
• Danish Golden Age Pieces 3 (2019) by Kanding
• Danish Golden Age Pieces 4 2019 by Kanding