A Spirit Of Sharing (Disquiet0242) by ikjoyce published on 2016-08-21T17:53:53Z This week's junto was to create a track showcasing a favourite tip / trick about a piece of software / hardware. Well, a modular synth is a piece of hardware... One of my favourite tools in making music is to get complexity from simple sources. Here I employ three techniques for doing that: 1) adding two simple sequences together, 2) using envelopes to isolate certain notes by volume and timbral changes, 3) using two different delays, with one delay also passed through the second. What you hear initially is two oscillators, each playing one of the short sequences. As you can hear, they are different lengths and at different rates, so they overlap and move across each other. I then gradually bring in a third oscillator playing the (quantised) sum of these two sequences, which is panned hard to the side. This sets up quite a nice three-part harmony. I then bring in two envelopes to that third oscillator, one for volume and the other for timbre - these envelopes are also triggered at different rates, so that the notes that are being highlighted by each move around in the sequence to give more interesting rhythmic patterns. I then bring in an echo of this (panned hard to the opposite side). This is followed by another echo, which has a much longer delay time and which ping-pongs from side to side. I then also feed the first echo into the second, setting up a more complex polyrhythm as each note from the sequence appears and reappears around the stereo field. I next bring in some reverb, first on the two original sequences, and then gradually on the other sequence and delays, before fading out as the reverb is increased to give an effect of drifting away. All that from one six note and one 8 note loop. More on the Disquiet Junto at: http://disquiet.com/junto/1 Subscribe to project announcements here: http://tinyletter.com/disquiet-junto/1 Project discussion takes place on llllllll.co: llllllll.co/t/share-yer-knowledge-disquiet-junto-project-0242/4218 There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion. The image associated with this project is by Susanna Bolle, and is used thanks to a Creative Commons license: flic.kr/p/8F9Jmz Genre Ambient Comment by Ketog Nat Brilliant 2016-08-25T21:00:25Z Comment by Hypoid Great technique...wonderful song! 2016-08-23T00:41:53Z Comment by ̲ ̲ ̲ ̲ ̲ ̲ ̲ ̲ ̲s̲e̲v̲e̲n̲ı̲s̲m̲ ̲ ̲ ̲ ̲ ̲ ̲ ̲ ̲ @337is: @ikjoyce maybe it's an inadvertent proof of the honeycomb conjecture? it all fits together in a lovely way 2016-08-22T11:48:44Z Comment by ikjoyce @rumblin_cynth_rampo: Thanks :-) Very simply - the output from each sequencer goes into a mixer, the output of that goes into a quantiser. Not totally accurate, but enough for some interesting melodies to appear. (The Pittsburgh sequencers actually have a built in 'add' input, but i didn't use that because I wanted to use the unaffected sequence too) 2016-08-22T11:25:07Z Comment by Rumblin_Cynth_Rampo Amazing stuff. Just one question, how are you summing the 2 sequences? 2016-08-22T10:43:19Z Comment by 337is (three three seven is) @ikjoyce: Triangles are my favorite of the angles in sound. :-) 2016-08-22T09:55:40Z Comment by ikjoyce @mtnviewmark-bits: Thanks :-) 2016-08-22T07:30:26Z Comment by ikjoyce @337is: I used gently filtered Triangle waves instead of sines - perhaps Pythagoras was eating some pi? :-) 2016-08-22T07:30:12Z Comment by MtnViewMark-Bits very nicely balanced 2016-08-22T06:41:06Z Comment by 337is (three three seven is) This round is so round. 2016-08-21T23:08:51Z Comment by ikjoyce @Disquiet 2016-08-21T17:54:18Z