Guards Direct and punchy but sprinkled with hints of folky British psychedelia and California sunshine, Follin knew the songs he and Humphrey made were different than anything he had done before. Their friend Kaylie Church joined in, and the trio got to work on making their first album as Guards. "I had never stopped recording music the entire time since that EP came out, so we had four albums worth of songs and it really just came down to picking the best songs and it happened to be the most current songs that we ended up with." Follin pulled from the shimmer and shine of '70's power pop groups, the big guitar choruses of Grunge, some psych rock, the straight ahead drive of '60's rock and soul, and a little bit of early '80's New Wave while making In Guards We Trust, but he and mixer Shane Stoneback were intent on making certain the album sounded like more than the sum of its influences. "If you treat a song a certain way, no matter how modern the style of song, it could sound like it’s from 1968," he says. "I want to have that feeling there, but I want it to sound modern and of its time. So if you go back 30 years you’ll know that’s from 2013."