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"After I broke up my band and quit the road, I spent a few years completely out of touch with almost everyone I knew," Jared Putnam explains about the years between ending The Conversation and forming The March Divide. Putnam found constant touring in emo-era band to be a destructive force on his personal life.
"I sort of hid myself in a way that no one even knew where or how to find me. My label told me that they spent years looking for me, even periodically checking missing person reports and amber alerts. I guess I just wanted to start over as someone else I now know how wrong that was, but it's just where I was at the time."
This period of instability inspired "L.A.," the latest single from the upcoming "Music for Television" EP by The March Divide (July 9th, Dead Letter Records.)
"L.A." is probably the most honest song I've ever written," says Putnam. "It really tells a lot of the story of what happened and why I did the things I did. I'm under no illusion that anyone really gives a shit, but it was important for me to write a song like that, to be able to move forward. For me, it's closure on a lot of the mistakes I made, and on everything I left behind."
“In the six years since ending The Conversation and beginning The March Divide, I had written a lot of songs,” says San Antonio-based Jared Putnam about the down period that followed years on the road with his popular Emo-era touring band. “When I decided to start working on an album, I had a really difficult time.”
Eventually, Putnam issued "Music for Film", the debut album by The March Divide, in February of 2013, and it was readily apparent that half a dozen years away had not taken a toll on his songwriting chops. Called “impressively hooky” by American Songwriter, Austin’s NPR affiliate KUTX simply stated, “This album kicks butt.”
The album, which showed off Putnam’s love of The Promise Ring, Cursive, and Elliott Smith, spawned the singles “Still Analog,” which popular vinyl lovers website The Vinyl District said could be the website's “proverbial theme song,” and “Jose Cuervo” which racked up thousands of Soundcloud streams and coverage from Under The Radar for its moving slice-of-life video. One fan plainly commented, “How this song is not more popular is beyond me.”
“'Music for Film' was the first album that I produced myself, and it was a pain in the ass!” Putnam jokes. Undeterred, Putnam is moving forward quickly, and will issue an EP follow-up to "Music for Film", the appropriately titled “Music for Television” on July 9th, once again through Dead Letter Records.
Putnam will also continue the touring that he eased back into as interest in The March Divide grew. It’s something he approaches with caution, considering his previous life experiences with being on the road.
“All of that time on tour wrecked my personal life,” Putnam explains of his time in The Conversation. “It was coming out in the worst way when I would perform, but as I started The March Divide, the void from not playing was just too big to ignore. These days, I’m not the road warrior that I used to be, but I’m playing a lot. I love playing, and I can’t wait to build up to the schedule that I used to keep.”
Putnam is also now performing more and more with a full band. “I’m still doing solo shows and tours, but we have grown into a band,” he says. The March Divide’s live show now includes Mike Hernandez on drums who has been performing with Putnam in his various musical incarnations for more than 15 years, and Jeremy Brooks on bass, a former member of the now defunct Furthest From The Star, a popular band around Texas.
About the song selection on “Music for Television,” Putnam explains, “Every album I’d done in the past was approached with a concept, but when I began recording 'Music for Film,' I had songs coming from all over the place. So, I sent them all to my trusted mix engineer, John Glover, and he decided how to split the tracks up between the two releases. Essentially, it’s one big piece of work, and I’m proud of it all.”
The first single from “Music for Television” is “So It Goes,” which Putnam initially intended as a sweet pop song, but drummer Hernandez had different ideas. “When I got together with Mike,” Putnam recounts, “he came in beating the shit out of his drums and I felt like I had completely misinterpreted my own song!”
Of the story behind the catchy tune, reminiscent of early-era REM and The Cure, Putnam is coy. “I’d rather not get into the specifics of what the song is about, but I’ll say that it only took one stupid decision by somebody to completely change the course of my life. But, so it goes, right?”
“Music for Television,” the follow-up EP to The March Divide’s debut album "Music for Film", will be released on July 9, 2013 on Dead Letter Records. The album’s first single “So It Goes” is streaming and available for free download now. The March Divide will continue touring throughout 2013.
I moved out there to sort of follow you,
I have a few regrets, I bet you do too
But I hope, you wouldn’t change a thing
I don’t know what you thought you would do,
But I lived on my band, so I guess you did too
What a pair, yeah me and you
& It’s a shame how easy it was to cheat on you,
It’s always bothered me, that it didn’t bother you
& I know, that I was wrong
So you pushed me away, & at the time I didn’t know what to say,
I would’ve wasted away, had I not packed my shit and then drove away
I finally stopped dreaming, on my drive home from L.A.
I never needed a reason, until that drive home from L.A.
A lot has changed over the years,
It’s taken all this time, to get me here
But I know, I wouldn’t change a thing
I guess I fell apart, day by day,
But I’m better off, in every way
What a joke, yeah me and you
& I don’t even know what I would say to you
Or, if you were here, what you would do
But I know, that I don’t care
That my fame went away, at least what little bit I had gained,
& My heart wouldn’t break, so I just bit my lip and went my separate way
So, I finally stopped dreaming, on my drive home from L.A.
Well, I never needed a reason, until that drive home from L.A.
I’ll never say I’m sorry that you brought me there,
But at the time, I couldn’t get my head clear
It was a circumstance that I still hold dear,
That wouldn’t let me keep my head clear
So, it looks like you had me pegged