Guedra Guedra - كدرة كدرة

Marrakech/Casablanca

MGMT - djguedraguedra@gmail.com LABEL MGMT https://soundcloud.com/onthecornerrecords Gigs & Tours | 2021 ✔ 18/06 - L'orfèvrerie / Soukmachines (live) / (saint-denis) 🇫🇷 ✔ 24/06 - Globalisto Awazé (live) / (saint-étienne) 🇫🇷 ✔ 25/06 - Paul B (live) / (massy) 🇫🇷 ✔ 30/06 - Festival Fusion (live) / (lärz) 🇩🇪 ✔ 01/07 - Transforma (live) / (tábor) 🇨🇿 ✔ 02/07 - New Radicalism (live) / (rotterdam) 🇳🇱 ✔ 13/07 - TBC (live) / (tunis) 🇹🇳 ✔ 12/08 - … (dj) / (cassel) 🇩🇪 PAST: ✔ 10/06 - Clandestino Festival (live) / (göteborg) 🇸🇪 ✔ 09/06 - ALICE cph (live) / (copenhagen) 🇩🇰 ✔ 02/06 - Kabana (vinyl) / (marrakech) 🇲🇦 ✔ 14/05 - Tunis sur Seine - Le Point Fort (live) / (paris) 🇫🇷 ✔ 29/04 - Stereolux (live) / (nantes) 🇫🇷 Vexillology The Guardian - Global Album of the Month! https://cutt.ly/vzuNvwK Archetype Mixmag's best tracks of 2021 so far. https://cutt.ly/hksrE8g Son of Sun Bandcamp Best Dance Singles cutt.ly/Dy3Xes8 Adds: KEXP Charts kexp.org/charts Resident Advisor Best singles cutt.ly/3dqzrXo Pitchfork’s 7 Best Mixes cutt.ly/xotk4am ----- Vexillology - LP - https://onthecorner.lnk.to/Vexillology Son of Sun - EP https://onthecorner.lnk.to/SonofSunEP EP | Interview | Press | Video | Set | https://linktr.ee/guedraguedra __ Guedra Guedra is DJ/Producer exploring tribal polyrhythms of the past and dancefloor innovations from the contemporary underground. Based in Casablanca/Marrakech, Morocco, his productions are defined by high energy tribal bass, psychedelia that is rooted in the cadence and mystery of ancient rhythms. Guedra Guedra 'When you use a studio to record, you won’t find the real emotion that you would find in a natural environment or situation. Tribal music from Africa is a social practise, it must be played in a certain place, in a certain special moment and in the right environment, it’s not something that can be ‘recreated’ in a studio. So for me capturing these moments when they are actually happening is so important, because that’s the only way you can encapsulate the real rhythm of their practice.’