Fever Pitch (disquiet0315) by disquiet published on 2018-01-15T06:34:33Z For the second week in a row, I've participated in Weekly Beats. Whether I make it the remaining 50 is yet to be seen, but I've enjoyed it so far. Unlike the Disquiet Junto, the weekly music composition prompt series I've moderated since 2012, there is no set theme in Weekly Beats. There are optional themes, but the main idea is simply to encourage making music as a way to learn to make music, along with the support that comes from other people doing so at the same time, and commenting on each other's work. My second Weekly Beats track is, like the first, an attempt to combine electric guitar and modular synthesizer. The glitchy under beat is a bit of trigger sequencer, along with the byproduct rhythmic noise inherent in the looper. The guitar line is heard with various aspects of the audio spectrum being modulated by medium-paced LFOs, and being sent through the looper for additional effects, all echoes and stutter. And then at the end of the track a snippet of a chord is sent through a different looper, providing a simulated tape-loop fade-out. There's more going on, like the primary guitar line being put through a filter, but that's the gist of it. . . . More on this 315th weekly Disquiet Junto project (First Chair: Record the first third of a trio) at: https://disquiet.com/0315/ More on the Disquiet Junto at: https://disquiet.com/junto/ Subscribe to project announcements here: http://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0315-first-chair/ There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion. Image associated with this project is adapted from a photo by Martin Kenny and is used via Flickr thanks to a Creative Commons license: https://flic.kr/p/neoFUH https://creativecommons.org/licenses/by-nc-sa/2.0/ Genre Electronic Comment by Michael Ash Sharbaugh Relaxed and peaceful, believe it or not; love the glitchiness and metronome-type beats peeking in-and-out. 2019-02-23T15:52:08Z Comment by TheOxfordAmbientCollective brilliant lofi feel to this 2018-08-30T09:25:00Z Comment by Ya Wha? Fragility, impermanence, momentary volatility. Love how the outro worked out too. 2018-08-21T21:38:49Z Comment by ELREN ... smooth athmosphere + beauty + disquiet ... really cool, a space to dream ... 2018-05-03T06:27:18Z Comment by disquiet @zeromeaning: Thanks very much. 2018-01-18T18:53:25Z Comment by disquiet @337is: It's a nice place to hang. 2018-01-17T04:22:40Z Comment by 337is (three three seven is) Spaces within spaces. 2018-01-16T20:45:39Z Comment by disquiet @half-unusual: Thanks. It's a mix of several things, the main ones being (1) modulating several narrow bands of the guitar sound (the gain up high) in a filterbank with LFOs, and (2) the effect of a lofi looper that's sampling and replaying the guitar line at intevals, and I suppose the overones, echoes, and fragments that result. 2018-01-16T18:07:22Z Comment by halF unusuaL Really like the morphing noise/buzz thing going on here 2018-01-16T05:44:19Z Comment by disquiet @disquiet: PS: In the previous track I did for Weekly Beats, it felt really empty after recording through my audio interface, so I made a copy of the track, nudged it ahead an very tiny amount (less than a beat) in my DAW (Audacity in that case), and then added echo and a low-pass filter to it, then dialed back the volume so it filled in the spaces. That worked out ok. 2018-01-15T16:27:55Z Comment by disquiet @rupertlally: Ooh, I like that idea of doing both and layering them. I'll try that. 2018-01-15T16:25:44Z Comment by rupertlally @disquiet: Your best bet would be to split the signal somehow - mic’d Version for the ambience and direct version for clarity. Then line the two up in your DAW afterwards, perhaps panning the mic’d Version wider than the direct version for a stereo spread. Another way is just direct and then use an amp/cabinet simulation plugin on the top. 2018-01-15T16:07:16Z Comment by disquiet @jmmy-kpple: Many thanks. Yeah, glitchy noisy blankspace is where I live. 2018-01-15T15:24:34Z Comment by disquiet @daniel-diaz: Thanks. For the metronome-like sound I used the raw effect of the Trigger Man just patched into my VCA mixer and turned it almost the way down until it was almost inaudible. 2018-01-15T15:24:15Z Comment by disquiet @rupertlally: Thanks. Yeah, I've been having trouble having the sound my guitar+modular makes through my amp translate when I go direct from the modular to my laptop, so this time I just (1) turned up the gain and (2) recorded with an H4N by putting it right in front of the amp. 2018-01-15T15:23:17Z Comment by rupertlally So lovely to hear your response to the challenge, Marc - Love the inclusion of the noise and clicks of the guitar via the looper which all adds to the texture of the piece. Very nice 2018-01-15T12:30:32Z Comment by Daniel Diaz very nice, some of the glitches really sound like a mechanical (maezel) metronome. 2018-01-15T08:30:09Z Comment by jmmy kpple this is a lovely one Marc - love the faint hiss-buzz at the back of the mix there 2018-01-15T07:25:19Z