DEUCE ECLIPSE a.k.a. Koki Kalavera

DEUCE ECLIPSE

YADDAYAY

DEUCE ECLIPSE “We are blessed with our own style and I just want to voice mine. I know I have something important to say.” Emcee Deuce Eclipse is driven by a desire to express himself through music. His goal is to create an open universal sound, which he describes as “Freedom Style” or “Indigenous Noise.” Deuce spent his childhood immersed in music and has been rapping, beat-boxing and singing since he was nine. He draws influence from both his Nicaraguan heritage as well as the culture of Hip-Hop he grew up with. It is Deuce’s creative openness that enables him to create a unique sound that breaks the conventional bonds of culture and style. And though he has far exceeded those conventional bonds, his vision is deeply rooted in both the traditional Nicaraguan music his father would play on his guitar and the rhythmic expressive style of American Hip-Hop. Deuce’s true talent lies in his ability to paint a vivid picture of where we are as a society by weaving compelling personal stories into his rhymes. “Music has always been with me. As I change, it changes. I learned how to grasp the concept of songwriting by rapping, watching and feeling. Using it to speak of the things I go through or see, things people have taught me or showed me in my life. I just try to express what is around me and inside me. Nurture that piece of myself that is for the world.” “Most rappers shouldn't sing, and most singers shouldn't rap. Period .Another fact: Deuce Eclipse is that rare gentleman who can do both. A long time Bay Area figure who cut his teeth in the Keepers of Tyme, the Nicaraguan artist has since gone solo in close affiliation with the Zion-I crew; to that end, he's a killer opening act, fluidly rapping in both English and Spanish before launching into hyper-emotive soul-singer mode for impassioned songs about his family and heritage that can literally bring him to tears in a way that doesn't feel corny or contrived. With intensity like this, he won't lurk in the shadows for too long. ” BAY GUARDIAN 2008

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