DEATHLINE London 29th Century Sonny & Cher Dom Gourlay, Drowned In Sound says: “industrial rhythms, nascent electronica and feedback heavy drones with pop sensibilities not that dissimilar to The Raveonettes or The Kills. Except louder, much louder” Buy our stuff from http://thedeathline.bandcamp.com/ “All throbbing phallic guitar lines, dirty electronica and moody telephone-line vocals” Bizarre “Fusion of smutty electronica, suicide-esque atmospherics and post-punk vocals” Artrocker "Hypnotic post industrial beats, a relentless guitar riff combined with nods to The Velvets & Nico, Einsturzende Neubauten and the Mary Chain is pretty much guaranteed to get our toes a-tapping " The Von Pip Musical Express “Noir Rock with grinding drums that spit out short sharp burst of venom and a broody as hell bass give this duo a minimal Jesus and Marychain like vibe” Artrocker “…touches of the band Suicide but mix it with a 60s psychedelic sleazy sound” Music Week “Deathline should probably come packaged in a leather jacket and shades and instantly give you an inferiority complex.” Sounds XP “Short, sharp and sledgehammering home the point, the plethora of layers contained in the grungy burst drift around within the track, at times overlapping and at others crashing into each other spectacularly” Shout 4 Music “Their unceremonious mash-up of guitars and technology sounds like the grinding in the gearbox of the modern world. Remember when bands had to be electronic or guitar driven, but not both? Kraftwerk or The Clash, you had to choose. These days, you can be bits of both.” Nemesis To Go Jennie (Vocals/Bass) | Kaoru (Guitar/Programming)
