La machine a coudre (2015) by Cecilia Arditto Delsoglio

Musique Concréte (2015) by Cecilia Arditto
7 Music-installations for tape, magic lanterns and sound objects
Adriana Montorfano, flute and sound objects
Cecilia Arditto, composition and magic lanterns
Eduardo Hernández Pérez, video
Daniel Nicolas, additional camera

Two performers manipulate sound-objects and slide-projectors in different spots of a dark room, producing performative-installations. The architecture of the space provides different sort of screens on the shape of columns, stairs, pipes, heating racks, walls, ceiling and the floor... every section of “Musique concrète” is played in a different spot.
Sound and visuals are made with low-tech paraphernalia in real time in a sort of live movie. Music, sound and space-design are organized in a score creating complete audiovisual scenes with simple means. One of the performers is in charge of the slide-projectors, the second one plays sound-objects and tapes.

#2. Machine a coudre (sewing machine)
for sewing machine, scissors, nails, tape and crank-hand projector: a counterpoint between a pre-recorded sewing machine, scissors, nails and their live renderings conform the soundtrack of a live movie play by hand. The film consists on little dots made with a sewing machine falling down projected on a column. The film-tape occupies progressively the space around -the projector “sew the film”- so in addition to the projection we can literally “see the film”.

"When things are too concrete they become crazy".