Beyond The Lakes by Brona Martin published on 2017-04-11T07:01:15Z Beyond the Lakes explores the inner sonic qualities and hidden sounds masked beneath the industrial soundscape of Workington, Cumbria. A new environment brings sounds that invade our listening space because they are new and unfamiliar such as the echoing screech of seagulls in Portland Square, a small cobbled square surrounded by concrete dwellings. The mourning call of the seagull and other birds also presents interesting sonic characteristics, almost a human-like cry. This piece reflects a past soundscape that may have once witnessed historic events that occurred around Workington Hall, such as the arrival of Mary Queen of Scots as she fled from Scotland in 1568. This virtual soundworld weaves amongst present day soundscape recordings; the song of the blackbird, a family of ducks amongst the reeds and a dog frolicking in the river that flows around the hall. While often some soundscape compositions highlight environmental concerns, for this work I chose to focus on the masked sonic worlds that exist in Workington. This piece was commissioned by The Octopus Collective as part of the Full of Noises Festival, 2015 with funding from the Women Make Music, PRS for Music Foundation.