"And I love this idea that some people think of dance music as being very restrictive-- you have to this kind of beat, a certain range beats per minute, and blah blah blah. But it's almost like, if you satisfy those requirements, then anything else goes. The dance music that I like-- Holden or Theo Parrish, Villalobos or Carl Craig, some of the weirder, newer dubstep people-- it's quite liberating to think that as long as the music's rhythmic and propulsive in a certain way, then I can put Tibetan bowls and a harp in this track and I can still play it in a club. I really like that idea."

- Dan Snaith

"You’re in the center, you’re making the party go or something, you’re the artist, and then when the party is over, you’re alone in your hotel room, and you’re just by yourself, and no one is paying attention any more… And this is a different thing because this profession could make an illusion that you’re so needed, but it’s just a fake feeling. Nobody really needs you. That’s what all of the artists have. That’s their biggest problem, loneliness, because they mix up things… they take it for real. They really think that if they can rock the crowd with their song or their guitar riff or something everyone will need them, but nobody really needs you. Loneliness is a part of the human being’s reality, but I have no problem with it any more. I like it. It’s just that I am getting closer to the point of really being a human being. I really understand better what this is all about. It’s all a world of illusions, and it’s so great to feel yourself as a human being, a personality weak at times, and the weaknesses blending with your strong parts, with your passions. I’m really glad to be a human being… it’s great, but I’m also glad that I don’t have too many illusions about this thing."

- Nina Kravitz