A (76 pieces since 2004) songs/instrumentals composer and a writer, Vincent Bergeron

Depuis 2004, Vincent a une expérience de composition pour une gamme étendue
d'instruments (chansons).

Born december 21, 1979. Solitary child playing by himself 'cause he didn't understand why other kids wanted to be together to do the same things.

Since 2004, spasmacousmatic songs of AllLanguages with mostly acoustic instruments, personal melodies and fluid structures.

Official site : http://www.freakywaves.com/vb/Vincent/music.htm

For updates on news : http://www.facebook.com/pages/Berger-Rond/273557659333920

Vincent Bergeron alias Berger Rond
2013.02.20 – En dehors de tout
#VVSBR11, protégé par Socan

Vincent Bergeron alias Berger Rond
2012.04.04 – Elle avait raison Hathor
#VVSBR10, protégé par Socan

2011.05.30 – Un doux rêveur dans. Homme Sauvage dit.
#VVSBR09, protégé par Socan

2011.01.03 – [{ }]
#VVSBR08, protégé par Socan

2010.08.02 – Étrange en compagnie
#VVSBR07, protégé par Socan

2009.12 – Forecast Proof
#VVSBR06, protégé par Socan

2009 – Audiomachie / Logomachie
#VVSBR05, protégé par Socan

2008; 2009 - Le savant devait arriver avant songeur
#VVSBR04, protégé par Socan

2007 - Philosophie Fantasmagorique
#VVSBR03, protégé par Socan

2006 - L’Art du Désarroi
#VVSBR02, protégé par Socan

2004 - Casse-tête de l’Existence
#VVSBR01, protégé par Socan
Free Download Version available on Webbed Hand netlabel

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Performance art on a Live scene (June, 2010)

Berger Rond - Bruissement de griserie
http://www.freakywaves.com/community/?q=fr/node/314

He has had performances of his music almost nowhere and it doesn't make any difference for him and it should not for you either.

A new improv band though with a poem of composition :
http://vimeo.com/59165973

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Dossier de presse (commentaires de compositeurs reconnus)
Comments (mostly from quality composers)

"The sonic materials he employs encompass modern chamber music and certain sounds from the popular tradition, such as drum kit and electric guitar, but they are treated in much the same way that William S. Burroughs liked to treat his text, as formally unanchored elements within an apparently stochastic sequence. To what extent this work is aleatory or improvised, and to what extent it is constructed, is impossible to determine, and doesn’t matter a great deal; the experience of listening is one that undercuts any comfortable reliance on a predictable resolution or cyclicity, while maintaining some narrative sense through the relative stability of the broad strokes of texture. The poetry that accompanies the release carries denotational meanings consistent with this approach, its female protagonists in seeming conflict with their worlds; while they display the strength usually ascribed to female deities, these archetypes are used to point at altogether more uncertain and dangerous experiences than is usual in modern reinterpretations of myth. It is a major creative risk for a man to tackle women’s experience in any depth, but here the composer’s courage makes for music that demands active engagement, and richly rewards it."
http://oliverarditi.com/2012/08/09/various-artists-album-roundup-011/

"Et Elle avait raison Hathor est clairement une coche ou deux au-dessus des récents opus de Bergeron, un artiste singulier s’il est en est, dont les pièces se construisent à partir d’une déconstruction",
Monsieur Délire
Vincent Berger Rond - Interview for gajoob

""[...] this music is very visual and reminds of a collage or montage in fine art. [...] Think laterally, out of the box, or better still, don't think and just listen and get into the music, and Vincent Berger Rond's Elle avait raison Hathor will grow on you! There is something almost mystically compelling about this album.",
Rainlore's World of Music

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Perfect Sound Forever 2011
http://www.furious.com/perfect/2011writerspoll.html

It is nice to appear in the same list than millionaires rockers like Sigur Ros (Innis) prog rock forces of nature's Emerson, Lake & Palmer. Marco Oppedisano Electroacoustic Compositions for Electric Guitar also made the same list by writer Mark S. Tucker. Since Mark is one of the only persons I sent [{ }] to (realizing most writers focus on ambient-like electronic music and rock since many years, I ended up really selective instead of wasting my money), it is encouraging me to send more CD-r to prove that it is possible to be recognized in CD-r and through Internet promotion where the listeners are much easier to find for me

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Always looking for vocalists (male and female) for collaborations : vincentbergerond@gmail.com