Blow the Kiss (demo) -The Horrorist

I've been working on an original song to be on a compilation being put together by Andy DeDecker. Andy is one of the members of the Belgian EBM group Ionic Vision. The compilation is original unreleased material and each song has to be sex related. In my normal workflow or "workslow" as I call it I create hundreds of different fills with different effects on each fill. This keeps what can be a monotonous electronic track amazingly dynamic and interesting. However, sometimes I want to work quickly and have a consistent sounding fill throughout the entire song. I create a chain of effects on a Return Channel and then increase/decrease it's volume along the timeline of the song in Arrangement View. As you can see in the case above where ever the Red Arrows peak (click song album art to increase it's size above left) Ableton shoots Reverb, Delay and Distortion over the Drums Channel. The fill/effect won't sound the exactly the same each time it fires because you are drawing little peaks in slightly different places. If you use a delay plug-in the difference where your peak is placed makes a dramatic difference in the timing delays you will hear. If at anytime you want to add a new peak of effects (our "fill") and the Breakpoint Envelope for your Return Channel is not showing simply click the small Send Box (top right Blue Arrow) to make it pop up. Easy, instant, changing Ableton Live Send FX Fills.

For more Ableton Live tips and tricks: click here