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Reviewed: "Anytime a band hones a past musical movement, things can get complicated, but as repeatedly expressed, if you got the songwriting chops to keep things intriguing, knock yourself out." http://fakewalls.com/blog/2012/11/13/review-popstrangers-heaven.html
Reviewed: "The airy bass-heavy oh-woah-oh-filled number sees Alejandra Deheza taking us back to yesteryear, which what we gather was a much better place." http://fakewalls.com/blog/2012/11/5/review-school-of-seven-bells-secret-days.html
Reviewed: "Now, with "Chum", the hip-hop wunderkind finds himself undoubtedly shedding any good-for-his-age tags and establishing rap juggernaut status." http://fakewalls.com/blog/2012/11/2/review-earl-sweatshirt-chum.html
Reviewed: "'Here We Go' finds Owens stripping away any experimental approach to song structure and recording present on Girls albums for a more traditional folk rock style." http://fakewalls.com/blog/2012/10/25/review-christopher-owens-here-we-go.html
Reviewed: "Hailing from one of the most underrated musical landscapes, Ireland, Squarehead make anyone who says rock n roll is dead look like an idiot." http://fakewalls.com/blog/2012/10/24/review-squarehead-more-quickly.html
Reviewed: "Fortunately, the impossible-to-forge organic sway, hazy instrumentation and moody lyrics all add up to catching lightning in a bottle." http://fakewalls.com/blog/2012/10/24/review-mac-demarco-ode-to-viceroy.html
Reviewed: "The new tune finds the Vienna artist impressively blending semi-indulgent, or at the very least intricate, instrumental lines into a soft, sedative backdrop." http://fakewalls.com/blog/2012/10/22/review-s-o-h-n-red-lines.html
Reviewed: "The cut embodies all the dumb fun vibes that make young adults gravitate towards hip-hop without the redundant, poorly-conceived rhymes." http://fakewalls.com/blog/2012/10/15/review-kendrick-lamar-backseat-freestyle.html
Reviewed: "Chicago/Dallas duo The Vliets may not be breaking down genre barriers, but the music making up their first two EPs goes beyond the psychedelic, synth rock, art rock labels they put themselves in." http://fakewalls.com/blog/2012/10/9/review-the-vliets-gods-drug.html
Reviewed: "'White On White' captures all the anti-establishment, lets get drunk rhetoric the Los Angeles band has been filling impressionable minds with since their formation." http://fakewalls.com/blog/2012/10/9/review-fidlar-white-on-white.html
Reviewed: "The latest track taken from Big Boi's upcoming second solo LP 'Vicious Lies and Dangerous Rumors' safely beats out any of the effort's preceding singles, but doesn't go without its own flaws". http://fakewalls.com/blog/2012/10/5/review-big-boi-mama-told-me-ft-kelly-rowland.html
Reviewed: "Luckily, Hamilton and crew know how to make even their throwaways sound impossibly serene, romantic and epic." http://fakewalls.com/blog/2012/10/3/review-the-walkmen-dance-with-your-partner-vermeer-65.html
Reviewed: "It's apparent as the melodies on these numbers aren't fully realized and the lyrics never got the additional rewrite they needed (though I do appreciate the Ginger Rogers and Fred Astaire bit)." http://fakewalls.com/blog/2012/10/3/review-the-walkmen-dance-with-your-partner-vermeer-65.html
Reviewed: "Gangs in the Garden" features a blown-out 80s style synth/bass combo and a apparent home studio recording quality. http://fakewalls.com/blog/2012/10/1/review-black-moth-super-rainbow-gangs-in-the-garden.html
Reviewed: ""The Wheel" is a glowing example of the often indescribable nature of music." http://fakewalls.com/blog/2012/10/1/review-s-o-h-n-the-wheel.html
dope track. posted! http://thenjunderground.com/blog/2012/3/5/the-mars-volta-zed-and-two-naughts.html
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