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Yes, we're back in 1986. Crude drum loops with precious little in the way of variation or fills; a pounding, rhythmic piano and a track whose influence is clear. As usual with a Sundae Club track, the Mellotron cuts through the mix, but listen out for splashes of minimoog, a squirt of Prodigy and a flourish of Hammond. Our occasional collaborator, Bromley Hayes kindly supplied his late Model D (only 80 from the end of production) and provided invaluable assistance in programming. Only Bromley could create a minimoog tambourine, which drifts in towards the end of the track, at which point you are invited to explore the "Sound of the Moog"!
Tara's vocal is processed through an EMS Synthi-A spring reverb and filter.
Track realised by Dr. C D Mille and Hamstall Ridware, with Bromley Hayes. Hope you enjoy.
Co-dedicated to Bob Moog and Steve Jobs. Two very different visionaries without whom our music would have been either impossible or very different.