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@MdM_: Sorry. Don't have a simple answer because multiple filters were used. The primary filters would be a plan b 3x LPG and cwejman mmf-1. I probably also used a doepfer A-120.
@Sananda: downloads are enabled, but I'm over quota on my soundcloud account
See, this is why you keep Douglas Hofstadter books out of the reach of children.
@are.kay.more: Thank you. It is pleasing when people notice this. Interestingly, many do not. Still stands as my best Risset illusion., I think. I keep trying though. It's fun and you don't hear a lot of it.
@evac: yes
@robb Aside from mastering, I don't believe there are any major changes on this track. Most the other tracks have various changes from the preview versions ranging from mild to moderate.
That's nice, and this is the first time I've used that term in conjunction with metasonix. Usually, it's "JESUS CHRIST, MY EARS." Certainly nothing I'd classify as subtle. Well done.
Nggggh. I bet the original file sounds amazing. Soundcloud is only hinting at what is actually there.
Thanks for this!
LOUD NOISES!
@resynthesis: I'm certainly open to the idea of someone else taking a crack at mastering this. I was trying to match a similar clarity and frequency distribution that I hear in other electronic music tracks. Usually my stuff is too muddy. I, myself mastered about eight different versions.
@Stuff Linear: Well, the Z-DSP is digital, after all, but I think something can be both digital and organic. Not to put words in Mark's mouth, but when working with feedback loops, you're dealing closely with chaos and here is where you get the organic nature of blossoming sound.
The definition of good music is the same as humor: set up an expectation and break it. It is unfortunate that composers can not feel the same sense of surprise and gratification as someone listening for the first time.
need to fix edit click here
Great breaks.
Tasteful use of 303-class sounds.
This is awesome. The whole tone progression makes me want to hear some crazy chord substitutions on reprise, or maybe have the bass descend in chromatic steps instead of functioning as the root.
nice filtered delay