VISIONZ OF A FUTURE LP (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 11 tracks, 27.51 STRANJAH on April 18, 2013 15:46
- 1. 01 - STRANJAH - EMINENCE (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.38 385 plays
- 2. 02 - STRANJAH - DECADENCE (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.52 557 plays
- 3. 03 - STRANJAH - ASSASSINZ REDUX (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.21 834 plays
- 4. 04 - STRANJAH - VISIONZ OF A FUTURE (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.30 1038 plays
- 5. 05 - STRANJAH FT EVIDENCE - INTERROGATOR (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.29 500 plays
- 6. 06 - STRANJAH - CHANGELING (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.43 1876 plays
- 7. 07 - STRANJAH - KRYPWOK (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.38 284 plays
- 8. 08 - STRANJAH FT GREEZY - MEDUSA (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.19 545 plays
- 9. 09 - STRANJAH FT EVIDENCE - UNDERTOW (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.31 417 plays
- 10. 10 - STRANJAH FT TIFF MAK - SORRY (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.15 428 plays
- 11. 11 - STRANJAH - AMEN FURY (ARCHITECTURE RECORDINGS) - OUT MAY 20, 2013 2.30 1064 plays
THE 40 DAYS EP 4 tracks, 28.02 STRANJAH on September 23, 2012 16:20
- 1. STRANJAH - 40 DAYS 7.15 2602 plays 170.0 BPM
- 2. STRANJAH - ROLL DEEP 7.11 1617 plays 170.0 BPM
- 3. STRANJAH - FRONTLINE 6.31 1776 plays 170.0 BPM
- 4. STRANJAH - G MONEY 7.04 1438 plays 170.0 BPM
- PROMINENCE (DSCI4 - VINYL/DIGITAL) Artwork
PROMINENCE (DSCI4 - VINYL/DIGITAL)
STRANJAH on May 03, 2012 01:57 - CRY 4 U FT. SWERVEZ (HOSPITAL RECORDS) Artwork
CRY 4 U FT. SWERVEZ (HOSPITAL RECORDS)
STRANJAH on July 01, 2011 21:53
About
Affiliated Labels:
Metalheadz
Hospital
Ministry of Sound
Renegade Hardware
31 Records
DSCI4
Architecture
Xtinction Agenda
Flex
Drum & Bass Arena
Media
DNBR
Bio:
One of the early producers to really break out of his shell internationally from Canada at the turn of the century is Alan Lam, better known as Stranjah. With over 15 years of experience behind the boards, the savvy veteran is still currently churning out some of his finest material to date. His early production endeavours were clearly influenced by house, low-end hip hop production and various other forms of earlier bass music. Splashing onto the scene initially with then-partner-in-crime Gremlinz, his music found its way into the hands of legends like Goldie, L Double and Doc Scott, all of whom were keen on playing his music out in their sets and ultimately signed him to their respective imprints Metalheadz, Flex and 31 Records.
Recently Stranjah has done work for the Ministry of Sound and the monumental Hospital Records. His sound is incredibly eclectic and essentially impossible to label under one umbrella. Often dark and minimal by nature, it boasts moody, atmospheric overtones with an emphasis on brooding sub bass and pulsating drum patterns. He has been known to use his own vocals within his productions to evoke certain feelings from the listener, a technique aided by his knack for synthetic melodies. As of late, Stranjah has been broadening his everchanging musical horizons and experimenting with new sounds ranging from menacing upfront jump-up to dark, morose dubstep in what he describes as a “melting pot” of his vast array of influences.