- 1. Starstruck 4.51 595 plays
- 2. Cave Story (Slow Cave remix) 5.20 309 plays
- 3. Ascension (clip) 2.49 51 plays
- 4. Capital Wasteland 6.21 143 plays
- 5. Exoplanet (feat. James Spray) 5.14 129 plays
- 6. Dr. Beardsley teasers 4.19 100 plays
- 7. Silence Farm (clip) 2.27 86 plays
- 8. Slow Cave 5.54 105 plays
- 9. Something more (preview) 1.29 64 plays
- 10. Icy Roads 5.39 31 plays
- 11. Don't let go (2003) 7.08 31 plays
- 12. Firebomb (2003) 6.13 19 plays
- 13. Timeshift (2004) 5.52 18 plays
- 14. All night long 4.25 64 plays
- 15. Moog voog 4.35 51 plays
- 16. Seafari 5.20 51 plays
- 1. Futurhythm guest mix - March 9, 2011 38.44 63 plays
- 2. Blazing through the techmosphere (DJ mix) 42.35 121 plays
- 3. Drum & bass quick-mix - January 2010 23.54 38 plays
- 4. FuturePresent.ca promo mix #1: Snug - Hard Times 21.19 73 plays
- 5. Mixed in key (DJ mix) 14.03 73 plays
- 6. Dub quick-mix - January 2010 15.43 118 plays
- 7. House quick-mix - March 2010 34.37 98 plays
Time Travel (2010) 10 tracks, 39.52 Snug on January 16, 2010 01:26
- 1. Downstream 3.39 176 plays
- 2. Amber 3.35 105 plays
- 3. Retreat 3.30 94 plays
- 4. Not quite sure 4.18 91 plays
- 5. Dent - Rock (Snug remix) 3.38 83 plays
- 6. Acoustic Data 1 (ft. Dent) 3.56 84 plays
- 7. When the wind blows 3.58 124 plays
- 8. Optimism 4.55 72 plays
- 9. Acoustic Data 2 3.44 72 plays
- 10. Sleepism 4.35 64 plays
About
Upcoming shows:
- March 8 @ Gus' (Halifax)
- March 22 @ The Capital Complex (Fredericton)
Adam McLellan (AKA Snug) discovered his interest in writing music at a young age. At the time he was taking piano lessons but was finding himself bored with the idea of playing other people's music. He soon started experimenting with his own ideas and had his first encounter with a sequencer.
In the mid 90s he was introduced to electronic music by way of Ottawa's university radio stations. This immediately sent his ideas in a new direction. By this point music production software was evolving rapidly and he was quick to adopt it as a vital element of his process.
A few years later - circa 1998 - he was introduced to Ottawa's rave scene. He soon became an active member in the scene, both as a DJ and a promoter. This level of exposure to electronic music gave his own productions a boost, and had a strong influence on his ideas and direction.
Through the years Adam has also learned to play many other instruments, including guitar, bass and drums. In the process of learning these new instruments he also learned all about recording and mixing them, and started incorporating them into his own productions.
Today Adam spends much of his time in the studio working on solo material or collaborating with others on side-projects, such as The Wax and Machina Analytica.
