New Chain is the debut long-player from New York's Small Black. Richly coloured and thickly layered, it is an absorbing, eclectic and obsessive body of work. The Brooklyn group have succeeded in melting together locked and popped drum-shudder, gauzy spirographic synths and subtly contagious, half-remembered melody into ebullient bursts of evocative, subliminal and thoroughly modern pop. The songs are equally informed by the rhythmic bounce and stylistic swagger of more left-leaning contemporary radio rap and R'n'B as it is the submerged kaleidoscopic swirl of the early 4AD dream factory.

Formed at the tail-end of 2008 as a bedroom recording project, Small Black first made waves with their eponymous debut EP. Recorded in the attic of singer Josh Kolenik's uncle's remote Long Island beach-house/surfboard workshop, it served as an ideal introduction to the group with its pulsing patchwork synths and addictive, stay-gold hooks that seemed to unfurl themselves gradually over repeated listens. Slightly more immediate and polished than its predecessor, Small Black's new album New Chain remains a continuation of this contrasting ethos – a delirious smudging of the lines between melancholy and nostalgia, tension and celebration, unabashed pop music and experimentation. "It's always been a question for us," explains keyboardist/songwriter Ryan Heyner, "of how much to push it, how much to reveal. I find a lot of the best music creeps up on you."