Track artwork

Symphonic Electronica Opus 0.5.9 - SML

seeminglee on December 28, 2009 21:15

Stats for this track

This Week Total
Plays 2 2815
Comments 56
Favoritings 17
Downloads 1 173

Uploaded by

  • Report copyright infringement

    Released by

    In 4 Sets

    In 4 Groups

    More tracks by seeminglee

    Brick-breaking Kungfu Martial Arts / SML Soundtrack

    Debussy: Clair de Lune (piano solo) / SML.20130324.002.Master

    Bach: Counter Fugue No.1

    Civic Center: Crying in Public at DETOUR 2012: Design Renegade / Photojournalism Soundtrack

    Hong Kong: Prince Edward MTR / Human Logistics / Soundtrack

    View all

    Symphonic Electronica = Synergy of Music Ideology;

    It is my life's dream to be able to work symphonic instruments together with electronic instruments. It's a simple idea really, and I expect that I should hear it somewhere soon, but I did not.

    Contemporary classical music using electronic instruments are often very 'analytical,' and to me, they aim for dissonance and atonal but somehow loses its soul. I played a lot of piano music in Bartok, Rachmininoff and the like when I was a teenager, but deep down I much prefer Baroque.

    + Process

    On my path to broaden my musical taste, I came across Steve Reich's Music for 18 Musicians. It's contemporary classical but very listenable. On the booklet which comes with the CD, Steve recalled that his professor once advised him--I can't find the exact quote--that if he wishes to make harmonized music, he should just write harmonized music. I took this to heart and started writing simple fugues, using counter-point techniques that I once learned in college for music composition.

    On the electronic music front, there has been a few DJs, most notably William Orbit, who has attempted to redo baroque classics in electronic music--but in my opinion, they are no difference than sampling records in the 70s and claiming as their own by putting a few VST filters on them. Indeed, Pieces in a Modern Style is so disappointing that I question how it ever got out of the studio.

    Then one day while I was listening to trance on Rhapsody -- my pumping background music for work, I came across Hybrid's Finished Symphony. It was the first symphonic electronica piece that I responded to. It combines symphonic parts with electronic instruments and have a lot going for it. It is from there that I thought to myself that perhaps it is not such a bad idea to do something about it.

    I started writing this piece in early 2006 as a way to fight depression. Music lets me free from my surroundings and allows me to go places where words and images cannot. But like most afflicted with NADD, I have trouble finishing it, and I was also too insecure to release this piece for fear of getting excruciatingly bad reviews that I probably would not be able to handle.

    + Studies

    In the late summer of 2006, on my research to figure out how to construct better dance beats (since I'm a classically trained pianist, I naturally had no training in percussion and must somehow acquire that knowledge), I came across a fact that many DJ contests on the Web which gives out pristine vocal tracks for download to be remixed and uploaded. At that time, I was toying with Sony ACID Pro, so naturally I signed up with ACIDPlanet and began producing.

    My intention was to do these mixes just as studies, to gain experience, in order to write my Symphonic Electronica piece. So I simply took the vocal tracks of all these songs, throw away all the synths, percussion and instrumental parts and throw in my own strings, choir samples and baroque instruments for a symphonic / choir mix of commercial dance remixes!

    My first remix is Madison Park's All about the Groove (original commercial release / my remix) To my surprise, I received many positive feedback, both from friends whom I know and from strangers who were kind enough to provide me with criticisms. The best comment came from Steven Hall, a friend of mine who is a music producer by profession. He noted that this was the first piece I have created that is actually good. I took that to heart, and so began a new hobby--mixing music from ACIDplanet.

    One thing great about contests is that you get to learn a lot from other entries. It is from these entries that I discovered new ways of handling samples, and experimenting with different things. Coming across Ableton Live was also a blessing, which enables the programmer side of me to experiment with settings that are too challenging in a linear setup like Cubase.

    + Licensing 

    CC-BY-SA 2006-2007 See-ming Lee 李思明 SML / SML Music / SML Universe


    Comments + Feedback much appreciated!

    Released by: seeminglee
    Release date: Jun 12, 2007
    "Symphonic Electronica Opus 0.5.9 - SML" by seeminglee is licensed under a Creative Commons License


    56 timed comments and 0 regular comments

    Add a new comment

    You need to be logged in to post a comment. If you're already a member, please or sign up for a free account.

    Share to

    If you are using self-hosted WordPress, please use our standard embed code or install the plugin to use shortcodes.
    Add a comment 0 comments at 0.00
      Click to enter a
      comment at