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Luis Pérez was born in Mexico City on July 11, 1951. Since 1971 he has dedicated much of his time to the research of pre-Columbian musical instruments.
He has traveled over the years all over the countryside of Mexico in order to study the living musical traditions and learn directly from the living sources while collecting samples of musical instruments, music and songs. His collection of native Mexican instruments include archaeological artifacts representative of the different cultural groups in the area known as Mesoamerica, some dating more than 2000 years ago.
His early work while still in Mexico, was a mixture of sounds from his vast array of pre-Columbian and ethnographic wind and percussion instruments which he managed to blend with electronic devices such as; tape based delay units and analog synthezisers; in 1981 his work was heard and described in the U.S. by Archie Patterson as, "perhaps the ultimate fusion of ethnic and modern music, a stunning effect as the two different styles merge superbly into a mystical musical tapestry". Luis simply called it: Musica Experimental Mexicana. During that year the Mexican government became interested in his work and sponsored the production of what came to be the first recording of this type entitled: Ipan In Xiktli Metztli ( En el Ombligo de la Luna ) which made a big impact among the media and established Luis Pérez as a precursor in this field followed by a new generation of Mexican musicians.