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About

"12:12:12" FREE/PAY WHAT YOU LIKE, SINGLE OUT NOW ON BANDCAMP:
http://rayspark-industries.bandcamp.com/ ;
[available in MP3 320kbps and various other formats]

ALBUM OUT NOW ON BANDCAMP:
Rayspark Industries & Kikai - Evolve (2011)
http://rayspark-industries.bandcamp.com/ ;
[available in MP3 320kbps and various other formats]

EP OUT NOW ON LAB ROOM RECORDS:
Rayspark Industries - Arctic Wastes EP (2010)
http://www.junodownload.com/products/arctic-wastes-ep/1646078-02/
[also MP3/WAV in all major Digital outlets]

Also out on TreeTrunk records
Rayspark Industries - Klonk Klang EP
http://www.archive.org/details/Klonk_Klang_EP ;

Check out my Field Recording of the day on the Sound Diaries advent calendar
http://www.sound-diaries.com/

Other releases:
Various - Mekandroids (EURK 2001) [CD]
http://www.discogs.com/release/204120 ;

Rayspark Industries - Structured Chaos (1999) [limited release cdr]
http://www.discogs.com/Rayspark-Industries-Structured-Chaos/release/549646 ;

Rayspark Industries - Funkmission One (1998) [limited release cdr]
http://www.discogs.com/Rayspark-Industries-Funkmission-One/release/549638 ;

Biog:
Rayspark Industries started his adventures in sound, learning various instruments in a music workshop in early 1980's.

After pushing various CasioTone keyboards to their limits in the late 80's he started to compose his first sample-based tracks using the Amiga software, Octamed. His limited yet highly effective arsenal of these early forays were a Roland Alpha Juno 2 and an 8bit sampler.

As technological advances during the 90s opened up whole new areas of creativity and experimentation future tracks were composed using the Korg MS20, 05R/W, Poly800, Yamaha CS5, TX81z, various analogs, effects and an Amiga A1200 running MicroIllusion's Music X. The track "Shuffle" (under the name "RSI"), featured on the accompanying CD of"Future Music" magazine, Issue 58, July 1997 displaying his heavy bias towards analogue and analogue-esque sound sources. By this time he was now composing on the PC using Cubase VST, early indications of the future evolution of his approach to composition.

Rayspark Industries have now completely updated (and downsized) his studio which consists of Native Instruments' Reaktor and various other plugins run through Ableton Live Suite. Rayspark Industries believes this approach has opened up a whole new era in his sound designing and compostional approaches and gives him the freedom to experiment like never before. As organised sound, he uses music as a platform for his explorations of new sounds he has found or created, many unheard and many certainly unused in the context of composition. It is this thirst for auditory discovery that keeps his sound fresh and ever-changing and is the well-spring of his creativity.

Main influences
808 State, Plaid, Biosphere, Orbital and L.F.O. just to name a few...

Limitation = Imagination!

Comments appreciated - am i heading in the right direction?

All work on Soundcloud available for release unless already noted if any labels are interested...

Rayspark Industries   Paul Darlington, Weaverham, Britain (UK)

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  • Immersion Artwork

    Immersion

    Rayspark Industries on March 25, 2013 15:35
  • Latest works 5 tracks, 31.32 Rayspark Industries on April 20, 2012 08:09

    1. 1. JSB-BC3 7.20 158 plays
    2. 2. 12:12:12 (rayspark-industries.bandcamp.com - free/name your price download) 12.00 359 plays 88.0 BPM
    3. 3. Campanas de Marina Grande [featuring Cello arranged by Theo Vidgen, played by Alice Purton] 7.24 382 plays 107.0 BPM
    4. 4. Static sky (Izotope Iris test) 2.03 265 plays
    5. 5. Striplight 2.43 142 plays 86.0 BPM
    1. 1. 11:11:11 [Part I] 4.39 391 plays
    2. 2. 11:11:11 [Part II] 5.31 177 plays
    3. 3. 11:11:11 [Part III] 8.22 108 plays
    4. 4. 11:11:11 [Part IV] 6.17 85 plays

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