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Noise Appreciation of Noise
Recorded and produced: 06/2009
- Phirnis
Phirnis at 2.07 on January 08, 2010 10:13
@Anna Pidgorna: I actually did another version of "Sonne" that is (among other things) slightly longer than what eventually ended up being the 'finished version'. While I personally like both versions, I felt that the finished one had more of a hypnotic quality to it, which in this case was by far the track's most important feature to me. Maybe I'm going to rework it into an alternative version one day
- Anna Pidgorna
Anna Pidgorna at 0.50 on January 07, 2010 17:14
I think all these tracks work despite the grating sounds because the composer has good control over the range of the spectrum. The sound is full, but not overly saturated with too much low or high (or just too much of everything). And the music also travels between low and high and between full and thin, allowing the ear to rest and experience something new.
- Anna Pidgorna
Anna Pidgorna at 2.07 on January 07, 2010 17:10
Also, I think this piece could be longer. The impression of endlessness wants to go on longer, maybe with very slow change. It doesn't quite feel like the idea has run its course.
- Anna Pidgorna
Anna Pidgorna at 2.07 on January 07, 2010 17:09
The constant pulsing of different elements adds a feeling of endlessness - great in this case, since this is about the sun.
- Anna Pidgorna
Anna Pidgorna at 0.50 on January 07, 2010 17:07
@swall: deer-in-the-headlights kind of effect perhaps?
- swall
swall at 0.50 on November 26, 2009 19:10
@Attempt No Landing There: me too, strangely. it's a bit paradoxical, part of my brain is saying "this grates" but my concious is totally numbed and transfixed.
- Attempt No Landing There

7 Comments
7 timed comments and 0 regular comments