Fall back to you (final)

The singer sang the harmony in a different tone here but the melody was pretty much the same. I used Melodyne here to change notes to contrast the main vox melody.

harmonies created using Melodyne again.....

recycled vox parts but slightly stretched using Melodyne

bunch of stretched notes using Melodyne..........and processed with other effects.

I the chorus Melodyne was once again life saver. The chorus has a scale change and therefore there are few notes were challenging for the vocalists. Few notes that were out of scale were adjusted to the right note using Melodyne.

I created several "harmony" vocal tracks here. This is where the Melodyne became handy. The singer, throughout the track sang the same melody. I took the main vox and some of the rejected takes and started moving the parts along pitch to create harmonies. I also stretched the some of the notes she sang as well as changed attack times. Once again, I avoided any quantization on the pitch correction and timing.

I started the vocal track by making small pitch and timing adjustments using melodyne. The pitch adjustments were very minor as the vocalist sinning here is very talented. For timing adjustment I avoided using any quantization because I wanted to have a more natural flow to the vocals.

@k1woods: thanks, plenty of ducking against the kick on main leads.....as you have suggested in the past.